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Rights clearance desk for images

A painting can be out of copyright and thephotograph of it can still be protected.

Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.

Where this page got its records

  • The Metlive

    538 ms. The Metropolitan Museum of Art, Collection API (Open Access)

  • Clevelandlive

    435 ms. The Cleveland Museum of Art, Open Access API

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United States, editorial use, 10,000 reach.

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2 of 2 providers answered live. 2,773 matching records exist across the two collections.

Results for "The Arrival of the Wine Vat"12 records

Institutions answered newest-first by record, interleaved

Brewer's Vat of Queen Mother Ankhenes-Pepi by an unrecorded maker, The Metropolitan Museum of Art

Brewer's Vat of Queen Mother Ankhenes-Pepi

Unrecorded maker

ca. 2246–2152 BCE · Travertine (Egyptian alabaster)

Cleared · Public Domain

live
The MetSimilar
Bacchanal with a Wine Vat by Andrea Mantegna, The Metropolitan Museum of Art

Bacchanal with a Wine Vat

Andrea Mantegna (d. 1506)

Before 1475 · Engraving and drypoint

Cleared · Public Domain

live
The MetSimilar
The Arrival in Bethlehem by Master of the Brussels Calling of Saint Matthew, The Metropolitan Museum of Art

The Arrival in Bethlehem

Master of the Brussels Calling of Saint Matthew (d. 1549)

ca. 1540–50 · Oil on wood

Cleared · Public Domain

live
The MetSimilar
Bacchanal: Arrival at the Wine Vat by Joseph Marie Vien, The Metropolitan Museum of Art

Bacchanal: Arrival at the Wine Vat

Joseph Marie Vien (d. 1809)

ca.1755 · pen and brown ink, brush and brown wash

Cleared · Public Domain

live
The MetSimilar
The Arrival of the Wine Vat by Joseph Marie Vien, The Metropolitan Museum of Art

The Arrival of the Wine Vat

Joseph Marie Vien (d. 1809)

ca.1755 · Etching

Cleared · Public Domain

live
The MetSimilar
The Arrival of Admiral d'Estaing at Brest by Pierre Lacour, The Metropolitan Museum of Art

The Arrival of Admiral d'Estaing at Brest

Pierre Lacour (d. 1814)

1782–90 · Etching and engraving

Cleared · Public Domain

live
The MetSimilar
The Intoxication of Wine by Clodion (Claude Michel), The Metropolitan Museum of Art

The Intoxication of Wine

Clodion (Claude Michel) (d. 1814)

ca. 1780–90 · Terracotta

Cleared · Public Domain

live
The MetSimilar
L'Arivée du Courier (The Arrival of the Messenger) by Jacques Firmin Beauvarlet, The Metropolitan Museum of Art

L'Arivée du Courier (The Arrival of the Messenger)

Jacques Firmin Beauvarlet (d. 1797)

18th century · Etching and engraving

Cleared · Public Domain

live
The MetSimilar
L'Arrivée du Courier (The Arrival of the Messenger) by Jacques Firmin Beauvarlet, The Metropolitan Museum of Art

L'Arrivée du Courier (The Arrival of the Messenger)

Jacques Firmin Beauvarlet (d. 1797)

18th century · Etching and engraving

Cleared · Public Domain

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

The Welcome Arrival

John Dalbiac Luard (d. 1860)

1863 · Etching and engraving

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

The Wine Farm

Sir David Young Cameron (d. 1945)

1896 · Etching; second state of two

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Prichod Noci

Josef Sudek (d. 1976)

1948–64 · Gelatin silver print

In copyright

live
The MetSimilar

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