
The Flims Room
Unrecorded maker
ca. 1682–84 · Walnut, maple, sycamore and other native woods
Cleared · Public Domain
liveRights clearance desk for images
Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.
Where this page got its records
766 ms. The Metropolitan Museum of Art, Collection API (Open Access)
360 ms. The Cleveland Museum of Art, Open Access API
2 of 2 providers answered live. 11,081 matching records exist across the two collections.
Institutions answered newest-first by record, interleaved

The Flims Room
Unrecorded maker
ca. 1682–84 · Walnut, maple, sycamore and other native woods
Cleared · Public Domain
live
The Artist in His Room at the Villa Medici, Rome
Léon Cogniet (d. 1880)
1817 · Painting, oil on canvas
Cleared · CC0
live
Damascus Room
Unrecorded maker
dated 1119 AH/1707 CE · Wood (poplar) with gesso relief, gold and tin leaf, glazes and paint; wood (cypress, poplar, and mulberry), mother-of-pearl, marble and other stones, stucco with glass, plaster ceramic tiles, iron, brass
Cleared · Public Domain
live
The Dissecting Room
T. C. Wilson (d. 1900)
ca. 1838 · Hand-colored lithograph
Cleared · Public Domain
live
The Artist's Sitting Room in Ritterstrasse
Adolph Menzel (d. 1905)
1851 · Oil on cardboard
Cleared · Public Domain
live
The Music Room
Mihály Munkácsy (d. 1900)
1878 · Oil on wood
Cleared · Public Domain
live
The Yellow Room
James McNeill Whistler (d. 1903)
ca. 1883–84 · Watercolor and gouache on paperboard
Cleared · Public Domain
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
The Artist's Room
Thomas Rowlandson (d. 1827)
1821 · Hand-colored etching and aquatint
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
The Artist’s Room in Algiers (recto); Designs of Tiles (verso)
Olivier Bro de Comères (d. 1870)
July 1838 · Watercolor over graphite
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
The Dining Room
Paul Signac (d. 1935)
1886–87 · Graphite and ink on Japan paper
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
The Panelled Room
Frederick H. Evans (d. 1943)
1896 · Platinum print
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
The Dressing Room
Pierre Bonnard (d. 1947)
1914 · Oil on canvas
In copyright
live1. Pin the work
Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.
2. Read the arithmetic
Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.
3. Seal and export
Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.