Skip to content
OpenPlate

Rights clearance desk for images

A painting can be out of copyright and thephotograph of it can still be protected.

Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.

Where this page got its records

  • The Metlive

    302 ms. The Metropolitan Museum of Art, Collection API (Open Access)

  • Clevelandlive

    313 ms. The Cleveland Museum of Art, Open Access API

Your defaults

United States, editorial use, 10,000 reach.

Change on the terms page

2 of 2 providers answered live. 645 matching records exist across the two collections.

Results for "The Artist's Sitting Room in Ritterstras"12 records

Institutions answered newest-first by record, interleaved

Viewing the Moon in an Empty Room by Gu Luo, The Metropolitan Museum of Art

Viewing the Moon in an Empty Room

Gu Luo (d. 1837)

1829 · Album leaf; ink and color on paper

Cleared · Public Domain

live
The MetSimilar
The Artist's Sitting Room in Ritterstrasse by Adolph Menzel, The Metropolitan Museum of Art

The Artist's Sitting Room in Ritterstrasse

Adolph Menzel (d. 1905)

1851 · Oil on cardboard

Cleared · Public Domain

live
The MetSimilar
Yokohama Foreigners in the Sitting Room of a Merchant Ship by Utagawa (Gountei) Sadahide, The Metropolitan Museum of Art

Yokohama Foreigners in the Sitting Room of a Merchant Ship

Utagawa (Gountei) Sadahide (d. 1873)

1861, 9th month · Middle panel of a triptych of woodblock prints; ink and color on paper

Cleared · Public Domain

live
The MetSimilar
The Yellow Room by James McNeill Whistler, The Metropolitan Museum of Art

The Yellow Room

James McNeill Whistler (d. 1903)

ca. 1883–84 · Watercolor and gouache on paperboard

Cleared · Public Domain

live
The MetSimilar
Home from the Orient by Unknown, The Metropolitan Museum of Art

Home from the Orient

Unknown

1880s–90s · Albumen silver print with applied color

Cleared · Public Domain

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

The Artist’s Room in Algiers (recto); Designs of Tiles (verso)

Olivier Bro de Comères (d. 1870)

July 1838 · Watercolor over graphite

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

The Long Room – Fraunces' Tavern, New York

Anonymous, American, 19th century (d. 1900)

ca. 1870 · Lithograph with tint stone

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

The Dining Room

Paul Signac (d. 1935)

1886–87 · Graphite and ink on Japan paper

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

The Enthusiast

Unknown

1860s–80s · Albumen silver print

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Dining Room

L. & J. G. Stickley of Fayetteville, New York

1910–12 · Crayon, watercolor and pen and ink

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Sitting Room

L. & J. G. Stickley of Fayetteville, New York

1910–12 · Crayon, watercolor and pen and ink

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

The Dressing Room

Pierre Bonnard (d. 1947)

1914 · Oil on canvas

In copyright

live
The MetSimilar

1. Pin the work

Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.

2. Read the arithmetic

Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.

3. Seal and export

Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.