Skip to content
OpenPlate

Rights clearance desk for images

A painting can be out of copyright and thephotograph of it can still be protected.

Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.

Where this page got its records

  • The Metlive

    1692 ms. The Metropolitan Museum of Art, Collection API (Open Access)

  • Clevelandlive

    322 ms. The Cleveland Museum of Art, Open Access API

Your defaults

United States, editorial use, 10,000 reach.

Change on the terms page

2 of 2 providers answered live. 1,756 matching records exist across the two collections.

Results for "The Ascension of Christ (one of seven)"12 records

Institutions answered newest-first by record, interleaved

Tusk Fragment with the Ascension by an unrecorded maker, The Metropolitan Museum of Art

Tusk Fragment with the Ascension

Unrecorded maker

720–970 Radiocarbon date, 95% probability · Ivory; carved

Cleared · Public Domain

live
The MetSimilar
Plaque with the Ascension by an unrecorded maker, The Metropolitan Museum of Art

Plaque with the Ascension

Unrecorded maker

ca. 1050 · Elephant ivory

Cleared · Public Domain

live
The MetSimilar
One of the Seven Falls of Christ by Anonymous, German, 15th century, The Metropolitan Museum of Art

One of the Seven Falls of Christ

Anonymous, German, 15th century (d. 1500)

15th century · Hand-colored woodcut

Cleared · Public Domain

live
The MetSimilar
The Ascension of Christ by Hans Süss von Kulmbach, The Metropolitan Museum of Art

The Ascension of Christ

Hans Süss von Kulmbach (d. 1522)

1513 · Oil on fir

Cleared · Public Domain

live
The MetSimilar
The Ascension of Christ, after Raphael by Nicolas Beatrizet, The Metropolitan Museum of Art

The Ascension of Christ, after Raphael

Nicolas Beatrizet (d. 1566)

1541 · Engraving; first state (?)

Cleared · Public Domain

live
The MetSimilar
The Ascension of Christ (one of seven) by Jean II Pénicaud, The Metropolitan Museum of Art

The Ascension of Christ (one of seven)

Jean II Pénicaud (d. 1554)

mid-16th century · Painted enamel on copper, partly gilt

Cleared · Public Domain

live
The MetSimilar
The Ascension of Christ by Ventura Salimbeni, The Metropolitan Museum of Art

The Ascension of Christ

Ventura Salimbeni (d. 1613)

1568–1613 · Brush, brown, gray and cream oil paint on paper

Cleared · Public Domain

live
The MetSimilar
The Ascension of Christ, from The Passion of Christ, plate 31 by Grégoire Huret, The Metropolitan Museum of Art

The Ascension of Christ, from The Passion of Christ, plate 31

Grégoire Huret (d. 1670)

1664 · Engraving

Cleared · Public Domain

live
The MetSimilar
The Ascension of Christ by Hans Georg Asam, The Metropolitan Museum of Art

The Ascension of Christ

Hans Georg Asam (d. 1711)

late 17th–early 18th century · Pen and brown ink, gray wash

Cleared · Public Domain

live
The MetSimilar
The Ascension of Christ by Johann Ignatz Zimbal, The Metropolitan Museum of Art

The Ascension of Christ

Johann Ignatz Zimbal (d. 1795)

ca. 1750 · Etching

Cleared · Public Domain

live
The MetSimilar
Study for "The Ascension" by John Singleton Copley, The Metropolitan Museum of Art

Study for "The Ascension"

John Singleton Copley (d. 1815)

1774 · Ink ("Bistre") washes, pen and ink, black chalk, and graphite on off-white laid paper, watercolor

Cleared · Public Domain

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

The Ascension of Christ

Wolfgang Kilian (d. 1662)

1600–62 · Etching and engraving

In copyright

live
The MetSimilar

1. Pin the work

Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.

2. Read the arithmetic

Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.

3. Seal and export

Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.