Skip to content
OpenPlate

Rights clearance desk for images

A painting can be out of copyright and thephotograph of it can still be protected.

Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.

Where this page got its records

  • The Metlive

    311 ms. The Metropolitan Museum of Art, Collection API (Open Access)

  • Clevelandlive

    490 ms. The Cleveland Museum of Art, Open Access API

Your defaults

United States, editorial use, 10,000 reach.

Change on the terms page

2 of 2 providers answered live. 33 matching records exist across the two collections.

Results for "The Ascension of Christ into heaven, fro"12 records

Institutions answered newest-first by record, interleaved

Tusk Fragment with the Ascension by an unrecorded maker, The Metropolitan Museum of Art

Tusk Fragment with the Ascension

Unrecorded maker

720–970 Radiocarbon date, 95% probability · Ivory; carved

Cleared · Public Domain

live
The MetSimilar
Plaque with the Ascension by an unrecorded maker, The Metropolitan Museum of Art

Plaque with the Ascension

Unrecorded maker

ca. 1050 · Elephant ivory

Cleared · Public Domain

live
The MetSimilar
Ascension in an Initial V by Niccolò di ser Sozzo, The Metropolitan Museum of Art

Ascension in an Initial V

Niccolò di ser Sozzo (d. 1363)

ca. 1342–50 · Tempera and gold on parchment

Cleared · Public Domain

live
The MetSimilar
Christ and the Twelve Apostles by Taddeo di Bartolo, The Metropolitan Museum of Art

Christ and the Twelve Apostles

Taddeo di Bartolo (d. 1422)

ca. 1400 · Tempera on wood, gold ground

Cleared · Public Domain

live
The MetSimilar
The Ascension of Christ by Hans Süss von Kulmbach, The Metropolitan Museum of Art

The Ascension of Christ

Hans Süss von Kulmbach (d. 1522)

1513 · Oil on fir

Cleared · Public Domain

live
The MetSimilar
The Ascension of Christ into heaven, from "The Passion of Christ", after Dürer by Marcantonio Raimondi, The Metropolitan Museum of Art

The Ascension of Christ into heaven, from "The Passion of Christ", after Dürer

Marcantonio Raimondi (d. 1534)

ca. 1500–34 · Engraving; second state of three

Cleared · Public Domain

live
The MetSimilar
The Baptism of Christ by Jan Muller, The Metropolitan Museum of Art

The Baptism of Christ

Jan Muller (d. 1628)

1590 · Engraving; New Holl's third state of four

Cleared · Public Domain

live
The MetSimilar
Design for a Wall Decoration: Representations of the Ascension and of the Conversion of the Ethiopian Eunuch by Giovanni de' Vecchi, The Metropolitan Museum of Art

Design for a Wall Decoration: Representations of the Ascension and of the Conversion of the Ethiopian Eunuch

Giovanni de' Vecchi (d. 1615)

ca. 1600 · Pen and brown ink, over black chalk (architectural elements); red chalk, pen and brown ink, traces of black chalk (narrative scenes)

Cleared · Public Domain

live
The MetSimilar
Christ As the  Man of Sorrows by Jan Muller, The Metropolitan Museum of Art

Christ As the Man of Sorrows

Jan Muller (d. 1628)

ca. 1610 · Engraving; New Holl.'s first state of two

Cleared · Public Domain

live
The MetSimilar
Saint Louis of France received into heaven by Christ and two angels who offer him the crown of France by Charles Simonneau, The Metropolitan Museum of Art

Saint Louis of France received into heaven by Christ and two angels who offer him the crown of France

Charles Simonneau (d. 1728)

1671–80 · Engraving

Cleared · Public Domain

live
The MetSimilar
In Like Manner Shall He Descend by Mather Brown, The Metropolitan Museum of Art

In Like Manner Shall He Descend

Mather Brown (d. 1831)

1831 · Pen and iron gall ink, ink washes, and graphite on off-white wove paper prepared with yellow washes

Cleared · Public Domain

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Surrexit (Christ is risen)

Sybil Andrews (d. 1992)

1957 · Color linocut

In copyright

live
The MetSimilar

1. Pin the work

Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.

2. Read the arithmetic

Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.

3. Seal and export

Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.