
Roundel with Scenes of the Attack on the Castle of Love
Unrecorded maker
ca. 1320–40 · Elephant ivory
Cleared · Public Domain
liveRights clearance desk for images
Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.
Where this page got its records
280 ms. The Metropolitan Museum of Art, Collection API (Open Access)
443 ms. The Cleveland Museum of Art, Open Access API
2 of 2 providers answered live. 2,900 matching records exist across the two collections.
Institutions answered newest-first by record, interleaved

Roundel with Scenes of the Attack on the Castle of Love
Unrecorded maker
ca. 1320–40 · Elephant ivory
Cleared · Public Domain
live
The Attack
Thomas Rowlandson (d. 1827)
March 1, 1791 · Etching and aquatint
Cleared · Public Domain
live
Study for the "Attack on Copenhagen"
Edward Francis Burney (d. 1848)
1801–2 · Black chalk, pen and brown ink, brush and gray wash
Cleared · Public Domain
live
Storming the Castle – "Old "Abe" on Guard
Currier & Ives (d. 1907)
1860 · Lithograph
Cleared · Public Domain
live
The Attack on the "Home Guard"
Thomas Nast (d. 1902)
1864 · Hand-colored lithograph
Cleared · Public Domain
live
Mirror Cover with the Attack on the Castle of Love
Unrecorded maker
19th century · Elephant ivory (?) or some kind of plastic
Cleared · Public Domain
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
A Home on the Mississippi
Currier & Ives (d. 1907)
1871 · Hand-colored lithograph
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
The Miller's Home
Thomas Creswick (d. 1869)
1857–71 · Hand-colored lithograph
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
The Wild West in Darktown: Attack on the Deadhead Coach
Currier & Ives (d. 1907)
1893 · Hand-colored lithograph, with touches of gum arabic
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
The Moonlight Attack, Jelil
James McBey (d. 1959)
1920 · Etching
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Attack
Jörg Immendorff (d. 2007)
1980 · Ink, watercolor, and gouache on paper
In copyright
live1. Pin the work
Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.
2. Read the arithmetic
Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.
3. Seal and export
Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.