Icon of the Mother of God and Infant Christ (Virgin Eleousa)
Angelos Akotantos (d. 1450)
c. 1425–50 · Painting, tempera and gold on wood
Cleared · CC0
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Rights clearance desk for images
A painting can be out of copyright and thephotograph of it can still be protected.
Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.
Where this page got its records
- The Metsealed sample 2026-10-04T00:00:00.000Z
The Metropolitan Museum of Art did not answer: met answered HTTP 403
- Clevelandlive
459 ms. The Cleveland Museum of Art, Open Access API
1 of 2 providers answered live. 27 matching records exist across the two collections.
Results for "The Attributes of the Virgin"11 records
Institutions answered newest-first by record, interleaved
Mourning Virgin from a Crucifixion Group
Unrecorded maker
about 1620/40 · Sculpture, pearwood
Cleared · CC0
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Virgin and Child
Leonardo da Vinci (d. 1519)
c. 1500 · Painting, oil on wood
Cleared · CC0
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Book of Hours (Use of Utrecht)
Master of Gijsbrecht van Brederode
c. 1460–1465 · Bound Volume, ink, tempera, and gold on vellum; binding: brown Morocco over original wooden boards
Cleared · CC0
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Saint Andrew
Master of Elsloo
c. 1515–20 · Sculpture, oak with traces of paint
Cleared · CC0
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The Madonna of Humility with the Temptation of Eve
Olivuccio di Ciccarello (d. 1439)
c. 1400 · Painting, tempera and gold on wood panel
Cleared · CC0
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The Life of the Virgin: The Attributes of the Virgin
Jacques Callot (d. 1635)
c. 1633–34 · Print, etching
Cleared · CC0
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St. John the Evangelist on the Isle of Patmos
Martin Schongauer (d. 1491)
1475–80 · Print, engraving
Cleared · CC0
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Book of Hours (Use of Utrecht): fol. 62v, The Nativity
Master of Gijsbrecht van Brederode
c. 1460–1465 · Bound Volume, ink, tempera, and gold on vellum; binding: brown Morocco over original wooden boards
Cleared · CC0
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Book of Hours (Use of Utrecht): fol. 14r, Initial with The Nativity
Master of Gijsbrecht van Brederode
c. 1460–1465 · Bound Volume, ink, tempera, and gold on vellum; binding: brown Morocco over original wooden boards
Cleared · CC0
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Book of Hours (Use of Utrecht): fol. 221v, Adoration of the Magi
Master of Gijsbrecht van Brederode
c. 1460–1465 · Bound Volume, ink, tempera, and gold on vellum; binding: brown Morocco over original wooden boards
Cleared · CC0
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