
The Babes in the Wood
Thomas Crawford (d. 1857)
ca. 1850, carved 1851 · Marble
Cleared · Public Domain
liveRights clearance desk for images
Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.
Where this page got its records
192 ms. The Metropolitan Museum of Art, Collection API (Open Access)
366 ms. The Cleveland Museum of Art, Open Access API
2 of 2 providers answered live. 11,103 matching records exist across the two collections.
Institutions answered newest-first by record, interleaved

The Babes in the Wood
Thomas Crawford (d. 1857)
ca. 1850, carved 1851 · Marble
Cleared · Public Domain
live
Vase
Unrecorded maker
1830–70 · Parian porcelain
Cleared · Public Domain
live
Babes in the Wood
Sir Hubert von Herkomer (d. 1914)
1880 · Etching and drypoint; proof
Cleared · Public Domain
live
French Dancer in Babes in the Wood, from the Actors and Actresses series (N45, Type 8) for Virginia Brights Cigarettes
Allen & Ginter
ca. 1888 · Albumen photograph
Cleared · Public Domain
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
The Shepherd in the Wood
Wenceslaus Hollar (d. 1677)
1649 · Etching; second state of four
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
The Babes in the Woods
John Brandard (d. 1863)
1849 · Color lithographs
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
The Hind in the Wood
Walter Crane (d. 1915)
1875 · Illustrations: wood engraving, printed in color
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
French Dancer in Babes in the Wood, from the Actresses series (N245) issued by Kinney Brothers to promote Sweet Caporal Cigarettes
Kinney Brothers Tobacco Company (d. 2011)
1890 · Albumen photograph
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
French Dancer in Babes in the Wood, from the Actresses series (N245) issued by Kinney Brothers to promote Sweet Caporal Cigarettes
Kinney Brothers Tobacco Company (d. 2011)
1890 · Albumen photograph
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Toy Books
Percy Cruikshank (d. 1880)
second half 19th century · Illustrations: woodcuts, printed in color and hand-colored; lithographs, color lithographs
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
In the Spring
Grant Wood (d. 1942)
1939 · Lithograph
In copyright
live1. Pin the work
Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.
2. Read the arithmetic
Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.
3. Seal and export
Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.