The Babes in the Wood
Thomas Crawford (d. 1857)
ca. 1850, carved 1851 · Marble
Cleared · Public Domain
liveThe MetSimilar
Rights clearance desk for images
A painting can be out of copyright and thephotograph of it can still be protected.
Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.
Where this page got its records
- The Metlive
252 ms. The Metropolitan Museum of Art, Collection API (Open Access)
- Clevelandlive
311 ms. The Cleveland Museum of Art, Open Access API
2 of 2 providers answered live. 366 matching records exist across the two collections.
Results for "The Babes in the Woods"11 records
Institutions answered newest-first by record, interleaved
In the Woods
Asher Brown Durand (d. 1886)
1855 · Oil on canvas
Cleared · Public Domain
liveThe MetSimilar
Vase
Unrecorded maker
1830–70 · Parian porcelain
Cleared · Public Domain
liveThe MetSimilar
Babes in the Wood
Sir Hubert von Herkomer (d. 1914)
1880 · Etching and drypoint; proof
Cleared · Public Domain
liveThe MetSimilar
The Brook in the Woods
Worthington Whittredge (d. 1910)
ca. 1885–86 · Oil on canvas
Cleared · Public Domain
liveThe MetSimilar
No open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
The Babes in the Woods
John Brandard (d. 1863)
1849 · Color lithographs
In copyright
liveThe MetSimilar
No open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
In the Woods
Jacques Villon (d. 1963)
ca. 1904 · Gouache, pen, ink, and graphite on paper
In copyright
liveThe MetSimilar
No open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
In the Woods
Elbridge Kingsley (d. 1918)
ca. 1865–1900 · Wood engraving
In copyright
liveThe MetSimilar
No open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
October in the Woods
Charles Ephraim Burchfield (d. 1967)
1938–63 · Watercolor, gouache, chalk, and charcoal on joined papers, mounted on paperboard
In copyright
liveThe MetSimilar
No open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Into the Woods, Spring, from "Into the Woods"
Howard Hodgkin (d. 2017)
2001–2 · Lift-ground, aquatint, and carborundum etching on 2 sheets of paper
In copyright
liveThe MetSimilar
No open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Into the Woods, Summer, from "Into the Woods"
Howard Hodgkin (d. 2017)
2001–2 · Lift-ground, aquatint, and carborundum etching on 2 sheets of paper
In copyright
liveThe MetSimilar
1. Pin the work
Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.
2. Read the arithmetic
Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.
3. Seal and export
Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.