
Boudoir from the Hôtel de Crillon
Pierre-Adrien Paris (d. 1819)
ca. 1777–80 · Oak, painted and gilded
Cleared · Public Domain
liveRights clearance desk for images
Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.
Where this page got its records
228 ms. The Metropolitan Museum of Art, Collection API (Open Access)
327 ms. The Cleveland Museum of Art, Open Access API
2 of 2 providers answered live. 22 matching records exist across the two collections.
Institutions answered newest-first by record, interleaved

Boudoir from the Hôtel de Crillon
Pierre-Adrien Paris (d. 1819)
ca. 1777–80 · Oak, painted and gilded
Cleared · Public Domain
live
Humphry Clinker Smashing a Dish at Dinner..., an illustration from Tobias Smollett's "The Expedition of Humphry Clinker" (London, 1793), Vol. 1
Charles Grignion, I (d. 1810)
1793 · Etching and engraving
Cleared · Public Domain
live
The Gamesters, from "Dance of Death"
Wenceslaus Hollar (d. 1677)
[1651] late 18th century printing · Etching; second state of four
Cleared · Public Domain
live
Studies of a Fallen Male Nude for "Hercules and the Horses of Diomedes"
Eugène Delacroix (d. 1863)
1852 · Graphite
Cleared · Public Domain
live
Domestic Scene
Anonymous, French, 19th century (d. 1900)
19th century · Pen and ink, wash, and black crayon
Cleared · Public Domain
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
"Bustin The Pool"
Thomas B. Worth (d. 1917)
1889 · Lithograph, printed in color
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Darktown Sociable, A "Fancy Dress" Hoodoo
Currier & Ives (d. 1907)
1890 · Hand-colored lithograph, with touches of gum arabic
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
New Year's Eve and Adam; George O. Hamlin
John Sloan (d. 1951)
1918 · Etching
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
[Flophouse Entrance on the Bowery with Man Seated on Stoop, New York City]
Walker Evans (d. 1975)
September 1934 · Film negative
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
HAYSEED: "Shucks, That ain't Gona Give Me No Time to See the City?" from Exhibit Comics Cards (W431)
Unrecorded maker
ca. 1940–45 · Commercial color photolithograph
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
The Backwards Man in his hotel room, N.Y.C.
Diane Arbus (d. 1971)
1961 · Gelatin silver print
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Huntsville, Alabama
William Eggleston (d. 9999)
ca. 1970 · Dye transfer print
In copyright
live1. Pin the work
Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.
2. Read the arithmetic
Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.
3. Seal and export
Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.