Skip to content
OpenPlate

Rights clearance desk for images

A painting can be out of copyright and thephotograph of it can still be protected.

Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.

Where this page got its records

  • The Metlive

    199 ms. The Metropolitan Museum of Art, Collection API (Open Access)

  • Clevelandlive

    337 ms. The Cleveland Museum of Art, Open Access API

Your defaults

United States, editorial use, 10,000 reach.

Change on the terms page

2 of 2 providers answered live. 34 matching records exist across the two collections.

Results for "The Bailiff's Hunt: At Fault, The Second"12 records

Institutions answered newest-first by record, interleaved

Fragment of a desert hunt - see 26.3.354-5-related by an unrecorded maker, The Metropolitan Museum of Art

Fragment of a desert hunt - see 26.3.354-5-related

Unrecorded maker

ca. 2051–2000 B.C. · Limestone

Cleared · Public Domain

live
The MetSimilar
Part of Khety's desert hunt scene by an unrecorded maker, The Metropolitan Museum of Art

Part of Khety's desert hunt scene

Unrecorded maker

ca. 2051–2000 B.C. · Limestone, paint

Cleared · Public Domain

live
The MetSimilar
The Stag-Hunt by Lucas Cranach the Elder, The Metropolitan Museum of Art

The Stag-Hunt

Lucas Cranach the Elder (d. 1553)

1506 · Woodcut; second state of two (Hollstein)

Cleared · Public Domain

live
The MetSimilar
The Bailiff's Hunt: At Fault, The Second Escape, Double and Squat, and The Seizure by Thomas Rowlandson, The Metropolitan Museum of Art

The Bailiff's Hunt: At Fault, The Second Escape, Double and Squat, and The Seizure

Thomas Rowlandson (d. 1827)

1809 · Hand-colored etching

Cleared · Public Domain

live
The MetSimilar
The Bailiff's Hunt: Going Out in the Morning, In Full Scent, Breaking Cover, and The Pursuit by Thomas Rowlandson, The Metropolitan Museum of Art

The Bailiff's Hunt: Going Out in the Morning, In Full Scent, Breaking Cover, and The Pursuit

Thomas Rowlandson (d. 1827)

1809 · Hand-colored etching

Cleared · Public Domain

live
The MetSimilar
The Bailiff's Hunt: Going Out in the Morning, In Full Scent, Breaking Cover, and The Pursuit by Thomas Rowlandson, The Metropolitan Museum of Art

The Bailiff's Hunt: Going Out in the Morning, In Full Scent, Breaking Cover, and The Pursuit

Thomas Rowlandson (d. 1827)

1809 · Hand-colored etching

Cleared · Public Domain

live
The MetSimilar
The Easter Hunt at Epping Forest, Plate Second by Henry William Bunbury, The Metropolitan Museum of Art

The Easter Hunt at Epping Forest, Plate Second

Henry William Bunbury (d. 1811)

ca. 1810 · Hand-colored etching

Cleared · Public Domain

live
The MetSimilar
Bedstead from the Henry Gurdon Marquand House, New York City by an unrecorded maker, The Metropolitan Museum of Art

Bedstead from the Henry Gurdon Marquand House, New York City

Unrecorded maker

1881–84 · Bird's-eye maple, maple, and tulip poplar

Cleared · Public Domain

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

The Lion and the Mouse (from John Ogilby, "The Fables of Aesop Paraphras'd in Verse: Adorned with Sculpture and Illustrated with Annotations," London, 1665)

Wenceslaus Hollar (d. 1677)

1665 · Etching; second state of two

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Two friezes with male figures fighting lions at top and with a bull hunt at bottom, from Frises, feuillages et ornements à l'italienne, plate 6, bound in Oeuvres. Vol. IV

Jean Le Pautre (d. 1682)

17th century · Etching; second state of two (Préaud)

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Etchings for the Art-Union of London

The Etching Club (d. 1885)

1857 · Etching

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

[Fox Hunting in the Roman Countryside]

Giuseppe Primoli (d. 1927)

1889 · Gelatin silver print

In copyright

live
The MetSimilar

1. Pin the work

Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.

2. Read the arithmetic

Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.

3. Seal and export

Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.