
Fragment of a desert hunt - see 26.3.354-5-related
Unrecorded maker
ca. 2051–2000 B.C. · Limestone
Cleared · Public Domain
liveRights clearance desk for images
Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.
Where this page got its records
199 ms. The Metropolitan Museum of Art, Collection API (Open Access)
337 ms. The Cleveland Museum of Art, Open Access API
2 of 2 providers answered live. 34 matching records exist across the two collections.
Institutions answered newest-first by record, interleaved

Fragment of a desert hunt - see 26.3.354-5-related
Unrecorded maker
ca. 2051–2000 B.C. · Limestone
Cleared · Public Domain
live
Part of Khety's desert hunt scene
Unrecorded maker
ca. 2051–2000 B.C. · Limestone, paint
Cleared · Public Domain
live
The Stag-Hunt
Lucas Cranach the Elder (d. 1553)
1506 · Woodcut; second state of two (Hollstein)
Cleared · Public Domain
live
The Bailiff's Hunt: At Fault, The Second Escape, Double and Squat, and The Seizure
Thomas Rowlandson (d. 1827)
1809 · Hand-colored etching
Cleared · Public Domain
live
The Bailiff's Hunt: Going Out in the Morning, In Full Scent, Breaking Cover, and The Pursuit
Thomas Rowlandson (d. 1827)
1809 · Hand-colored etching
Cleared · Public Domain
live
The Bailiff's Hunt: Going Out in the Morning, In Full Scent, Breaking Cover, and The Pursuit
Thomas Rowlandson (d. 1827)
1809 · Hand-colored etching
Cleared · Public Domain
live
The Easter Hunt at Epping Forest, Plate Second
Henry William Bunbury (d. 1811)
ca. 1810 · Hand-colored etching
Cleared · Public Domain
live
Bedstead from the Henry Gurdon Marquand House, New York City
Unrecorded maker
1881–84 · Bird's-eye maple, maple, and tulip poplar
Cleared · Public Domain
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
The Lion and the Mouse (from John Ogilby, "The Fables of Aesop Paraphras'd in Verse: Adorned with Sculpture and Illustrated with Annotations," London, 1665)
Wenceslaus Hollar (d. 1677)
1665 · Etching; second state of two
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Two friezes with male figures fighting lions at top and with a bull hunt at bottom, from Frises, feuillages et ornements à l'italienne, plate 6, bound in Oeuvres. Vol. IV
Jean Le Pautre (d. 1682)
17th century · Etching; second state of two (Préaud)
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Etchings for the Art-Union of London
The Etching Club (d. 1885)
1857 · Etching
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
[Fox Hunting in the Roman Countryside]
Giuseppe Primoli (d. 1927)
1889 · Gelatin silver print
In copyright
live1. Pin the work
Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.
2. Read the arithmetic
Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.
3. Seal and export
Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.