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OpenPlate

Rights clearance desk for images

A painting can be out of copyright and thephotograph of it can still be protected.

Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.

Where this page got its records

  • The Metlive

    848 ms. The Metropolitan Museum of Art, Collection API (Open Access)

  • Clevelandlive

    475 ms. The Cleveland Museum of Art, Open Access API

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United States, editorial use, 10,000 reach.

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2 of 2 providers answered live. 56 matching records exist across the two collections.

Results for "The Barbarians"12 records

Institutions answered newest-first by record, interleaved

Gold aureus of Vespasian by an unrecorded maker, The Metropolitan Museum of Art

Gold aureus of Vespasian

Unrecorded maker

77–78 CE · Gold

Cleared · Public Domain

live
The MetSimilar
Arrival of the "Southern Barbarians" by an unrecorded maker, The Cleveland Museum of Art

Arrival of the "Southern Barbarians"

Unrecorded maker

c. 1600 · Painting, One of a pair of six-panel folding screens; ink, color, and gold on paper

Cleared · CC0

live
Cleveland Museum of ArtSimilar
Stucco relief fragment by an unrecorded maker, The Metropolitan Museum of Art

Stucco relief fragment

Unrecorded maker

ca. 138–161 CE · Stucco

Cleared · Public Domain

live
The MetSimilar
Arrival of the "Southern Barbarians" by an unrecorded maker, The Cleveland Museum of Art

Arrival of the "Southern Barbarians"

Unrecorded maker

c. 1600 · Painting, One of a pair of six-panel folding screens; ink, color, and gold on paper

Cleared · CC0

live
Cleveland Museum of ArtSimilar
Shoe Buckle by an unrecorded maker, The Metropolitan Museum of Art

Shoe Buckle

Unrecorded maker

400–450 · Gold with garnets

Cleared · Public Domain

live
The MetSimilar
Arrival of the "Southern Barbarians" by an unrecorded maker, The Cleveland Museum of Art

Arrival of the "Southern Barbarians"

Unrecorded maker

c. 1600 · Painting, Pair of six-panel folding screens; ink, color, and gold on paper

Cleared · CC0

live
Cleveland Museum of ArtSimilar
Recto: The Houses of the Barbarians (Vitruvius, Book 2, Chapter 1, nos. 3, 4); Verso: The Aeropagus in Athens with Cave Houses (Vitruvius, Book 2, Chapter 1, no. 5). by Sangallo family, The Metropolitan Museum of Art

Recto: The Houses of the Barbarians (Vitruvius, Book 2, Chapter 1, nos. 3, 4); Verso: The Aeropagus in Athens with Cave Houses (Vitruvius, Book 2, Chapter 1, no. 5).

Sangallo family (d. 1545)

1530–45 · Pen and dark brown ink

Cleared · Public Domain

live
The MetSimilar
Barbarian Royalty Worshiping the Buddha by Zhao Guangfu, The Cleveland Museum of Art

Barbarian Royalty Worshiping the Buddha

Zhao Guangfu

900s · Painting, Handscroll; ink and color on silk

Cleared · CC0

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Cleveland Museum of ArtSimilar
Coffer in Nanban (Southern Barbarian) Style by an unrecorded maker, The Metropolitan Museum of Art

Coffer in Nanban (Southern Barbarian) Style

Unrecorded maker

ca. 1600–30 · Gold maki-e and mother-of-pearl inlay on black lacquer; gilt-bronze fittings

Cleared · Public Domain

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The MetSimilar
Barbarian by an unrecorded maker, The Cleveland Museum of Art

Barbarian

Unrecorded maker

1–100 CE · Sculpture, bronze

Cleared · CC0

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Cleveland Museum of ArtSimilar
Nanban Freshwater Jar (Mizusashi) with Large Handles by Nonomura Ninsei, The Metropolitan Museum of Art

Nanban Freshwater Jar (Mizusashi) with Large Handles

Nonomura Ninsei (d. 1694)

second half 17th century · Stoneware with natural ash glaze (Kyoto ware)

Cleared · Public Domain

live
The MetSimilar
Bracelet by an unrecorded maker, The Cleveland Museum of Art

Bracelet

Unrecorded maker

200–1 BCE · Jewelry, silver

Cleared · CC0

live
Cleveland Museum of ArtSimilar

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