Recruits Going to Join the Regiment
Antoine Watteau (d. 1721)
ca. 1715–16 · Etching with drypoint
Cleared · Public Domain
liveThe MetSimilar
Rights clearance desk for images
A painting can be out of copyright and thephotograph of it can still be protected.
Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.
Where this page got its records
- The Metlive
842 ms. The Metropolitan Museum of Art, Collection API (Open Access)
- Clevelandlive
378 ms. The Cleveland Museum of Art, Open Access API
2 of 2 providers answered live. 28 matching records exist across the two collections.
Results for "The Barbaric Dance (Before Salomé and He"12 records
Institutions answered newest-first by record, interleaved
Shirabyōshi Dancer and Female Servant; Courtesan and Girl Attendant
Tsukioka Settei (d. 1786)
mid-18th century · Hanging scroll paintings, remounted as a two‑panel folding screen; ink, color, and gold on silk
Cleared · Public Domain
liveThe MetSimilar
The Auspicious Noh Dance "Okina"
Toriyama Sekien (d. 1788)
ca. 1790–95 · Triptych of hanging scrolls; ink, color, and gold on paper
Cleared · Public Domain
liveThe MetSimilar
Konami of the Kurahashiya in the Front Group of Musicians (Saki-bayashi), from the series Costume Parade of the Shinmachi Quarter in Osaka (Ōsaka Shinmachi nerimono)
Yanagawa Shigenobu 柳川重信 (d. 1832)
1822 · Woodblock print (nishiki-e); ink and color on paper; vertical ōban
Cleared · Public Domain
liveThe MetSimilar
Salome with the Head of John the Baptist
Gustave Moreau (d. 1898)
ca. 1876 · Oil on wood
Cleared · Public Domain
liveThe MetSimilar
Salomé Dancing Before the Head of St. John the Baptist
Gustave Moreau (d. 1898)
mid to late 19th century · Graphite, watercolor and gouache on cream wove paper
Cleared · Public Domain
liveThe MetSimilar
Mvet
Unrecorded maker
late 19th century · Gourd, bark
Cleared · Public Domain
liveThe MetSimilar
The Arrow Dance
Louis McClellan Potter (d. 1912)
1907 · Bronze
Cleared · Public Domain
liveThe MetSimilar
No open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Salome
Willem Arondeus (d. 1943)
1916 · Brush and brown ink and brown wash, graphite.
In copyright
liveThe MetSimilar
No open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Dance crest
Ejagham artist
19th–mid-20th century · Wood, animal hide, cane, iron, pigment, bone or ivory
In copyright
liveThe MetSimilar
No open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Dance crest with opposing faces
Ejagham or Bale artist
19th–mid-20th century · Wood, animal hide, pigment, cane, Kobus kob horns, iron, bone or ivory
In copyright
liveThe MetSimilar
No open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Do face mask
Senufo or Dyula artist
19th–mid-20th century · Wood
In copyright
liveThe MetSimilar
1. Pin the work
Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.
2. Read the arithmetic
Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.
3. Seal and export
Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.