
Scene of Contemporary Life: The Acrobats
Giovanni Domenico Tiepolo (d. 1804)
1727–1804 · Pen and dark brown ink, brush and brown wash, over traces of black chalk
Cleared · Public Domain
liveRights clearance desk for images
Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.
Where this page got its records
227 ms. The Metropolitan Museum of Art, Collection API (Open Access)
440 ms. The Cleveland Museum of Art, Open Access API
2 of 2 providers answered live. 57 matching records exist across the two collections.
Institutions answered newest-first by record, interleaved

Scene of Contemporary Life: The Acrobats
Giovanni Domenico Tiepolo (d. 1804)
1727–1804 · Pen and dark brown ink, brush and brown wash, over traces of black chalk
Cleared · Public Domain
live
The Barricade, Second Stone
George Bellows (d. 1925)
1918 · Print, lithograph
Cleared · CC0
live
La Bièvre
Charles Marville (d. 1879)
ca. 1862 · Albumen silver print from glass negative
Cleared · Public Domain
live
The Barricade, First Stone
George Bellows (d. 1925)
1918 · Print, lithograph
Cleared · CC0
live
Barricades de la Commune, avril 71. Coin de la place Hotel de Ville & de la rue de Rivoli
Pierre-Ambrose Richebourg (d. 1893)
1871 · Albumen silver print
Cleared · Public Domain
live
The Barricade
Edouard Manet (d. 1883)
ca. 1871, published 1884 · Lithograph on chine collé; second state of two
Cleared · Public Domain
live
The Paris Mob–A Barricade in Paris, from "The Graphic," vol. 3
Arthur Boyd Houghton (d. 1875)
April 8, 1871 · Wood engraving
Cleared · Public Domain
live
Civil War
Edouard Manet (d. 1883)
1871–73 [published 1874] · Lithograph on chine collé; second state of two
Cleared · Public Domain
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Barricade de la Rue St. Antoine, 28 Juillet 1830
Auguste Raffet (d. 1860)
ca. 1830 · Lithograph
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
[National Guardsmen and Others in front of the Base of the Vendôme Column, Paris Commune]
Bruno Braquehais (d. 1875)
1871 · Albumen silver print
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
[National Guardsmen in front of a Barricade at Rue Castiglione near the Place Vendôme, Paris Commune]
Bruno Braquehais (d. 1875)
1871 · Albumen silver print
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
[National Guardsmen in front of a Barricade at Rue Castiglione near the Place Vendôme, Paris Commune]
Bruno Braquehais (d. 1875)
1871 · Albumen silver print
In copyright
live1. Pin the work
Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.
2. Read the arithmetic
Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.
3. Seal and export
Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.