
Scenes from the Battle of Zama
Unrecorded maker
17th century · Iron
Cleared · Public Domain
liveRights clearance desk for images
Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.
Where this page got its records
613 ms. The Metropolitan Museum of Art, Collection API (Open Access)
306 ms. The Cleveland Museum of Art, Open Access API
2 of 2 providers answered live. 4,104 matching records exist across the two collections.
Institutions answered newest-first by record, interleaved

Scenes from the Battle of Zama
Unrecorded maker
17th century · Iron
Cleared · Public Domain
live
Vignette, from "The Battle of Milvian"
Bernard Picart (d. 1733)
early 18th century · Pen and black ink, brush and gray wash
Cleared · Public Domain
live
Vignette, from "The Battle of Milvian"
Bernard Picart (d. 1733)
early 18th century · Pen and black ink, brush and gray wash
Cleared · Public Domain
live
Vignette, from "The Battle of Milvian"
Bernard Picart (d. 1733)
early 18th century · Pen and black ink, brush and gray wash
Cleared · Public Domain
live
The Battle of Diomedes and Aeneas (from the Story of Achilles)
Jan van Orley (d. 1735)
ca. 1720–30 · Pen and brown ink, brush and gray ink, heightened with white chalk, on blue paper; framing line in pen and brown ink, by the artist
Cleared · Public Domain
live
The Battle of the Spurs, from "Der Weisskunig"
Hans Burgkmair (d. 1531)
printed 18th century · Woodcut
Cleared · Public Domain
live
The Battle of Tsukushi, from the Earlier Chronicle of Grand Pacification (Zen Taiheiki)
Utagawa Sadahide (d. 1873)
1848 · Triptych of woodblock prints; ink and color on paper
Cleared · Public Domain
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Relief fragment from the depiction of a battle
Unrecorded maker
ca. 1427–1396 BCE · Sandstone, paint
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
The Battle of Antioch, from "History of the Crusades"
Albert Doms (d. 1900)
after 1880 · Wood engraving
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
The Battle of Lepanto, from "History of the Crusades"
Désiré-Mathieu Quesnel (d. 1915)
after 1880 · Wood engraving
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Scene from The Battle of Karbala
Unrecorded maker
first half of 20th century · Paint on glass
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Scene from The Battle of Karbala
Unrecorded maker
first half of 20th century · Paint on glass
In copyright
live1. Pin the work
Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.
2. Read the arithmetic
Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.
3. Seal and export
Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.