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OpenPlate

Rights clearance desk for images

A painting can be out of copyright and thephotograph of it can still be protected.

Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.

Where this page got its records

  • The Metlive

    613 ms. The Metropolitan Museum of Art, Collection API (Open Access)

  • Clevelandlive

    306 ms. The Cleveland Museum of Art, Open Access API

Your defaults

United States, editorial use, 10,000 reach.

Change on the terms page

2 of 2 providers answered live. 4,104 matching records exist across the two collections.

Results for "The Battle of Tsukushi, from the Earlier"12 records

Institutions answered newest-first by record, interleaved

Scenes from the Battle of Zama by an unrecorded maker, The Metropolitan Museum of Art

Scenes from the Battle of Zama

Unrecorded maker

17th century · Iron

Cleared · Public Domain

live
The MetSimilar
Vignette, from "The Battle of Milvian" by Bernard Picart, The Metropolitan Museum of Art

Vignette, from "The Battle of Milvian"

Bernard Picart (d. 1733)

early 18th century · Pen and black ink, brush and gray wash

Cleared · Public Domain

live
The MetSimilar
Vignette, from "The Battle of Milvian" by Bernard Picart, The Metropolitan Museum of Art

Vignette, from "The Battle of Milvian"

Bernard Picart (d. 1733)

early 18th century · Pen and black ink, brush and gray wash

Cleared · Public Domain

live
The MetSimilar
Vignette, from "The Battle of Milvian" by Bernard Picart, The Metropolitan Museum of Art

Vignette, from "The Battle of Milvian"

Bernard Picart (d. 1733)

early 18th century · Pen and black ink, brush and gray wash

Cleared · Public Domain

live
The MetSimilar
The Battle of Diomedes and Aeneas (from the Story of Achilles) by Jan van Orley, The Metropolitan Museum of Art

The Battle of Diomedes and Aeneas (from the Story of Achilles)

Jan van Orley (d. 1735)

ca. 1720–30 · Pen and brown ink, brush and gray ink, heightened with white chalk, on blue paper; framing line in pen and brown ink, by the artist

Cleared · Public Domain

live
The MetSimilar
The Battle of the Spurs, from "Der Weisskunig" by Hans Burgkmair, The Metropolitan Museum of Art

The Battle of the Spurs, from "Der Weisskunig"

Hans Burgkmair (d. 1531)

printed 18th century · Woodcut

Cleared · Public Domain

live
The MetSimilar
The Battle of Tsukushi, from the Earlier Chronicle of Grand Pacification (Zen Taiheiki) by Utagawa Sadahide, The Metropolitan Museum of Art

The Battle of Tsukushi, from the Earlier Chronicle of Grand Pacification (Zen Taiheiki)

Utagawa Sadahide (d. 1873)

1848 · Triptych of woodblock prints; ink and color on paper

Cleared · Public Domain

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Relief fragment from the depiction of a battle

Unrecorded maker

ca. 1427–1396 BCE · Sandstone, paint

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

The Battle of Antioch, from "History of the Crusades"

Albert Doms (d. 1900)

after 1880 · Wood engraving

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

The Battle of Lepanto, from "History of the Crusades"

Désiré-Mathieu Quesnel (d. 1915)

after 1880 · Wood engraving

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Scene from The Battle of Karbala

Unrecorded maker

first half of 20th century · Paint on glass

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Scene from The Battle of Karbala

Unrecorded maker

first half of 20th century · Paint on glass

In copyright

live
The MetSimilar

1. Pin the work

Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.

2. Read the arithmetic

Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.

3. Seal and export

Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.