
The Beach at Newhaven
Hill and Adamson (d. 1848)
1845 · Salted paper print from paper negative
Cleared · Public Domain
liveRights clearance desk for images
Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.
Where this page got its records
512 ms. The Metropolitan Museum of Art, Collection API (Open Access)
359 ms. The Cleveland Museum of Art, Open Access API
2 of 2 providers answered live. 578 matching records exist across the two collections.
Institutions answered newest-first by record, interleaved

The Beach at Newhaven
Hill and Adamson (d. 1848)
1845 · Salted paper print from paper negative
Cleared · Public Domain
live
The Beach at Deauville
Eugène Boudin (d. 1898)
1864 · Painting, oil on wood panel
Cleared · CC0
live
On the Beach at Trouville
Eugène Boudin (d. 1898)
1863 · Oil on wood
Cleared · Public Domain
live
The Beach at Blankenberghe
Félicien Rops (d. 1898)
1863 · Graphite
Cleared · Public Domain
liveBeach Scene
Eugène Boudin (d. 1898)
ca. 1882–83 · Pastel on gray wove paper mounted on card
Cleared · Public Domain
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
The Beach at Zandvoort
James Craig Annan (d. 1946)
1892 · Photogravure
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Oak Street Beach at Night
Helen West Heller (d. 1955)
ca. 1925 · Woodcut
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
The Beach at Cedar Street
Helen West Heller (d. 1955)
ca. 1925 · Woodcut
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Bathers at the Beach
Salvador Dalí (d. 1989)
1939 · Brush and black ink and gouache on illustration board
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Nude at the Beach
Johan Hagemeyer (d. 1962)
1920s–40s · Gelatin silver print
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
The Beach at Deauville
Kees van Dongen (d. 1968)
1945–55 · Oil on canvas
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
The Paddock at Deauville
Emil Grau-Sala (d. 1975)
1962 · Oil on canvas
In copyright
live1. Pin the work
Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.
2. Read the arithmetic
Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.
3. Seal and export
Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.