
Corbel with Fore Portion of Beast with Bone
Unrecorded maker
ca. 1150–1200 · Limestone
Cleared · Public Domain
liveRights clearance desk for images
Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.
Where this page got its records
966 ms. The Metropolitan Museum of Art, Collection API (Open Access)
308 ms. The Cleveland Museum of Art, Open Access API
2 of 2 providers answered live. 8,842 matching records exist across the two collections.
Institutions answered newest-first by record, interleaved

Corbel with Fore Portion of Beast with Bone
Unrecorded maker
ca. 1150–1200 · Limestone
Cleared · Public Domain
live
The Beast with Seven Heads and the Beast with Lamb's Horns, from "The Apocalypse"
Albrecht Dürer (d. 1528)
1497–98 · Woodcut
Cleared · Public Domain
live
The Apocalyptic Woman, from "The Apocalypse", Latin Edition
Albrecht Dürer (d. 1528)
1511 · Woodcut
Cleared · Public Domain
live
The Beast with the Seven Heads and the Beast with Lamb's Horns
Albrecht Dürer (d. 1528)
1511 · Woodcut
Cleared · Public Domain
live
The Beast with Seven Heads and the Beast with Lamb's Horns
Albrecht Dürer (d. 1528)
n.d. · Woodcut
Cleared · Public Domain
live
The Beast with Seven Heads and Ten Horns, from the Apocalypse
Jean Duvet (d. 1561)
n.d. · Engraving
Cleared · Public Domain
live
The Dragon with two Horns and the Beast with Seven, from the Apocalypse
Jean Duvet (d. 1561)
n.d. · Engraving; second state of two
Cleared · Public Domain
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
The Adoration of the Beast with Ten Horns and Seven Heads, from The Revelation of St John, bound in "Thesaurus Sacrarum historiarum Veteris et Novi Testamenti"
Adriaen Collaert (d. 1618)
1585 · Engraving; second state of four
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Beauty and the Beast
Thomas Rowlandson (d. 1827)
1770–1827 · Pen and gray and brown ink, watercolor, over graphite
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
A Sharp Rifle: With the Bulge on the Shooter
Thomas B. Worth (d. 1917)
1882 · Lithograph with hand-coloring in green, blue, and red watercolor (and possibly some printed color in the shading of "the bulge" and the flames)
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
"Bustin The Pool"
Thomas B. Worth (d. 1917)
1889 · Lithograph, printed in color
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
The Forest (Composition with Seven Figures and a Head)
Alberto Giacometti (d. 1966)
1950 · Painted bronze
In copyright
live1. Pin the work
Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.
2. Read the arithmetic
Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.
3. Seal and export
Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.