
Christ Carrying the Cross, with the Crucifixion; The Resurrection, with the Pilgrims of Emmaus
Gerard David (d. 1523)
ca. 1510 · Oil on oak panel
Cleared · Public Domain
liveRights clearance desk for images
Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.
Where this page got its records
329 ms. The Metropolitan Museum of Art, Collection API (Open Access)
545 ms. The Cleveland Museum of Art, Open Access API
2 of 2 providers answered live. 333 matching records exist across the two collections.
Institutions answered newest-first by record, interleaved

Christ Carrying the Cross, with the Crucifixion; The Resurrection, with the Pilgrims of Emmaus
Gerard David (d. 1523)
ca. 1510 · Oil on oak panel
Cleared · Public Domain
live
The Beggars: The Two Pilgrims
Jacques Callot (d. 1635)
c. 1623 · Print, etching
Cleared · CC0
live
The Beggars (Eulenspiegel)
Lucas van Leyden (d. 1533)
1520 · Etching and engraving
Cleared · Public Domain
live
Les Deux Pélerins (The Two Pilgrims), from "Les Gueux suite appelée aussi Les Mendiants, Les Baroni, ou Les Barons" (The Beggars, also called the Barons)
Jacques Callot (d. 1635)
ca. 1623 · Etching; first state of two (Lieure)
Cleared · Public Domain
live
Men and women beggars
Wenceslaus Hollar (d. 1677)
1630 · Etching, only state
Cleared · Public Domain
live
Six Men and Women Beggars
Wenceslaus Hollar (d. 1677)
1630 · Etching; only state
Cleared · Public Domain
live
Reverse Copy of Les Deux Pélerins (The Two Pilgrims), from Les Gueux suite appelée aussi Les Mendiants, Les Baroni, ou Les Barons (The Beggars, also called the Barons)
Anonymous
17th century · Etching
Cleared · Public Domain
live
The Beggars
James McNeill Whistler (d. 1903)
1879–80 · Etching and drypoint, printed in black ink on heavy ivory wove paper; seventh state of seventeen (Glasgow)
Cleared · Public Domain
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Two Pilgrims in a Landscape
Enea Vico (d. 1567)
1542 · Engraving
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Two Pilgrims by a Spring
Alessandro Gandini (d. 1600)
ca. 1545–65 · Chiaroscuro woodcut from two blocks in green
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Les Deux Pélerins (The Two Pilgrims), plate 3 from "Les Gueux suite appelée aussi Les Mendiants, Les Baroni, ou Les Barons" (The Beggars, also called the Barons)
Jacques Callot (d. 1635)
ca. 1623 · Etching; second state of two (Lieure); possibly a re-strike by Israel Silvestre
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Beggar with Two Crutches, from "The Beggars"
Jan Georg (Joris) van Vliet (d. 1668)
1632 · Etching; second state of four
In copyright
live1. Pin the work
Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.
2. Read the arithmetic
Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.
3. Seal and export
Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.