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OpenPlate

Rights clearance desk for images

A painting can be out of copyright and thephotograph of it can still be protected.

Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.

Where this page got its records

  • The Metlive

    228 ms. The Metropolitan Museum of Art, Collection API (Open Access)

  • Clevelandlive

    336 ms. The Cleveland Museum of Art, Open Access API

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United States, editorial use, 10,000 reach.

Change on the terms page

2 of 2 providers answered live. 1,354 matching records exist across the two collections.

Results for "The Benediction at Table"12 records

Institutions answered newest-first by record, interleaved

The Farnese Table by Jacopo [Giacomo] Barozzi da Vignola, The Metropolitan Museum of Art

The Farnese Table

Jacopo [Giacomo] Barozzi da Vignola (d. 1573)

ca. 1565–73 · Marble of different colors, semiprecious stones, Egyptian alabaster, residue of paint of different colors on the piers

Cleared · Public Domain

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The MetSimilar
The Benediction at Table by Abraham Bosse, The Metropolitan Museum of Art

The Benediction at Table

Abraham Bosse (d. 1676)

ca. 1635 · Etching

Cleared · Public Domain

live
The MetSimilar
The Benediction by Jacques André Portail, The Metropolitan Museum of Art

The Benediction

Jacques André Portail (d. 1759)

ca. 1760 · Red and black chalk, touches of brush and gray wash

Cleared · Public Domain

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The MetSimilar
Table by Léon Marcotte, The Metropolitan Museum of Art

Table

Léon Marcotte (d. 1887)

1860–72 · Walnut, amboina pine, maple, poplar, ash, cherry, hornbeam

Cleared · Public Domain

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The MetSimilar
At the Dressing Table by Unidentified artist, The Metropolitan Museum of Art

At the Dressing Table

Unidentified artist

19th century · Hanging scroll; ink and color on silk

Cleared · Public Domain

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The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

The Benediction at the Table

Abraham Bosse (d. 1676)

ca. 1635 · Etching

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Table

Jean-François Leleu (d. 1807)

ca. 1766/7 · Tulipwood, Sèvres porcelain, gilt bronze, leather, silk moiré

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Lady at the Tea Table

Mary Cassatt (d. 1926)

1883–85 · Oil on canvas

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

The Benediction

Sir Lawrence Alma-Tadema (d. 1912)

1894 or later · Photogravure; proof

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Table

Gustav Stickley (d. 1942)

1900 · Oak

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

William Zorach at the Table

Marguerite Zorach (d. 1968)

1912–13 · Watercolor and graphite on paper

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Lizzie at the Table

Fairfield Porter (d. 1975)

1958 · Oil on canvas

In copyright

live
The MetSimilar

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2. Read the arithmetic

Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.

3. Seal and export

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