Bible
Unrecorded maker
ca. 1250–75 · Tempera and gold on parchment; leather binding
Cleared · Public Domain
liveThe MetSimilar
Rights clearance desk for images
A painting can be out of copyright and thephotograph of it can still be protected.
Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.
Where this page got its records
- The Metlive
772 ms. The Metropolitan Museum of Art, Collection API (Open Access)
- Clevelandlive
479 ms. The Cleveland Museum of Art, Open Access API
2 of 2 providers answered live. 16,175 matching records exist across the two collections.
Results for "The Bible, The Book of Psalms"12 records
Institutions answered newest-first by record, interleaved
Leaf from a Book of Hours: The Visitation
Boucicaut Master
c. 1415 · Manuscript, ink, tempera, and gold on vellum
Cleared · CC0
liveCleveland Museum of ArtSimilar
Hebrew Bible
Unrecorded maker
1300–1350 (before 1366) · Ink, tempera, and gold on parchment; leather binding
Cleared · Public Domain
liveThe MetSimilar
Leaves from a Book of Hours: The Visitation and Christ in Judgment
Boucicaut Master
c. 1415 · Manuscript, ink, tempera, and gold on vellum
Cleared · CC0
liveCleveland Museum of ArtSimilar
The Malermi Bible, vol. II
Niccolò Malèrmi (d. 1481)
October 15, 1490 · Printed book with woodcut illustrations, hand-colored
Cleared · Public Domain
liveThe MetSimilar
Leaf Excised from a Psalter: The Annunciation
Unrecorded maker
c. 1325–50 · Manuscript, ink, tempera, and gold on vellum
Cleared · CC0
liveCleveland Museum of ArtSimilar
Bible and Book of Common Prayer
Robert Barker
ca. 1607 · Satin worked with silk and metal thread, spangles; long-and-short, split, satin, couching, brick, and knot stitches
Cleared · Public Domain
liveThe MetSimilar
Fol. 220v, Psalm 38, historiated initial D, David kneeling, gesturing to the bust of God above
Unrecorded maker
c. 1275–1300 · Bound Volume, ink, tempera and gold on vellum
Cleared · CC0
liveCleveland Museum of ArtSimilar
The Bible, The Book of Common Prayer, The Book of Psalms with Royal Stuart arms
Robert Barker
ca. 1624 · Satin worked with silk and metal thread.
Cleared · Public Domain
liveThe MetSimilar
Fol. 233r, Psalm 109, historiated initial D, God the Father and Son, the Holy Ghost between them
Unrecorded maker
c. 1275–1300 · Bound Volume, ink, tempera and gold on vellum
Cleared · CC0
liveCleveland Museum of ArtSimilar
The New Testament, The Book of Common Prayer
Robert Barker
ca. 1636 · Silk, bullion, silver, and silver-gilt thread on canvas and satin
Cleared · Public Domain
liveThe MetSimilar
Fol. 224v, Psalm 68, historiated initial S, David in the water appealing to God above
Unrecorded maker
c. 1275–1300 · Bound Volume, ink, tempera and gold on vellum
Cleared · CC0
liveCleveland Museum of ArtSimilar
1. Pin the work
Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.
2. Read the arithmetic
Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.
3. Seal and export
Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.