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OpenPlate

Rights clearance desk for images

A painting can be out of copyright and thephotograph of it can still be protected.

Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.

Where this page got its records

  • The Metlive

    471 ms. The Metropolitan Museum of Art, Collection API (Open Access)

  • Clevelandlive

    272 ms. The Cleveland Museum of Art, Open Access API

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United States, editorial use, 10,000 reach.

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2 of 2 providers answered live. 12 matching records exist across the two collections.

Results for "The Blindness of Tobit: The Larger Plat"12 records

Institutions answered newest-first by record, interleaved

Raguel's Reception of Tobias at Ecbatana by Pieter Aertsen, The Metropolitan Museum of Art

Raguel's Reception of Tobias at Ecbatana

Pieter Aertsen (d. 1575)

1520–75 · Pen and brown ink, with gray wash

Cleared · Public Domain

live
The MetSimilar
Tobit's Blindness, from "The Story of Tobit", a set of twelve plates by Crispijn van den Broeck, The Metropolitan Museum of Art

Tobit's Blindness, from "The Story of Tobit", a set of twelve plates

Crispijn van den Broeck (d. 1524)

1570–80 · Engraving

Cleared · Public Domain

live
The MetSimilar
Tobias Curing His Father's Blindness by Bernardo Strozzi, The Metropolitan Museum of Art

Tobias Curing His Father's Blindness

Bernardo Strozzi (d. 1644)

1630–35 · Oil on canvas

Cleared · Public Domain

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The MetSimilar
The Blindness of Tobit by Rembrandt (Rembrandt van Rijn), The Metropolitan Museum of Art

The Blindness of Tobit

Rembrandt (Rembrandt van Rijn) (d. 1669)

1651 · Etching with touches of drypoint; first of two states

Cleared · Public Domain

live
The MetSimilar
Beaker with three scenes from the Story of Tobit by Jan van de Velde II, The Metropolitan Museum of Art

Beaker with three scenes from the Story of Tobit

Jan van de Velde II (d. 1641)

1653, with later inscriptions · Silver

Cleared · Public Domain

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The MetSimilar
The Blindness of Tobit: The Larger Plate by Rembrandt (Rembrandt van Rijn), The Metropolitan Museum of Art

The Blindness of Tobit: The Larger Plate

Rembrandt (Rembrandt van Rijn) (d. 1669)

1651 · Etching; second state of two (New Hollstein)

Cleared · Public Domain

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The MetSimilar
Chasuble of needle lace by an unrecorded maker, The Metropolitan Museum of Art

Chasuble of needle lace

Unrecorded maker

second half of 17th century · Needle lace, gros point lace, silk lining

Cleared · Public Domain

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The MetSimilar
Landscape with Tobias and the Angel by Felix Meyer, The Metropolitan Museum of Art

Landscape with Tobias and the Angel

Felix Meyer (d. 1713)

late 17th–early 18th century · Watercolor

Cleared · Public Domain

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The MetSimilar
Commode by André Charles Boulle, The Metropolitan Museum of Art

Commode

André Charles Boulle (d. 1732)

ca. 1710–20 · Walnut veneered with ebony, marquetry of engraved brass and tortoiseshell, gilt-bronze mounts, verd antique marble

Cleared · Public Domain

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The MetSimilar
Writing table (bureau plat) by Bernard II van Risenburgh, The Metropolitan Museum of Art

Writing table (bureau plat)

Bernard II van Risenburgh (d. 1767)

ca. 1750 · Satiné wood, purplewood and kingwood, gilt bronze, leather

Cleared · Public Domain

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The MetSimilar
The Blindness of Tobit:  A Sketch by William James Smith, The Metropolitan Museum of Art

The Blindness of Tobit: A Sketch

William James Smith (d. 1826)

ca. 1825 · Etching

Cleared · Public Domain

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The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Table

Jean-François Leleu (d. 1807)

ca. 1766/7 · Tulipwood, Sèvres porcelain, gilt bronze, leather, silk moiré

In copyright

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The MetSimilar

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2. Read the arithmetic

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3. Seal and export

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