
The Golf-Player
Rembrandt (Rembrandt van Rijn) (d. 1669)
1654 · Etching; first of two states
Cleared · Public Domain
liveRights clearance desk for images
Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.
Where this page got its records
204 ms. The Metropolitan Museum of Art, Collection API (Open Access)
295 ms. The Cleveland Museum of Art, Open Access API
2 of 2 providers answered live. 12,670 matching records exist across the two collections.
Institutions answered newest-first by record, interleaved

The Golf-Player
Rembrandt (Rembrandt van Rijn) (d. 1669)
1654 · Etching; first of two states
Cleared · Public Domain
live
Tanbūr
Unrecorded maker
late 1800s · Musical Instrument, Wood, bone, mother-of-pearl, and wire
Cleared · CC0
live
The Bone Player
Jean-Baptiste Adolphe Lafosse (d. 1879)
1857 · Hand-colored lithograph
Cleared · Public Domain
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
The Piazza
Sir Muirhead Bone (d. 1953)
1901 · Etching; printed with brown ink
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
The Haystack
Sir Muirhead Bone (d. 1953)
1903 · Drypoint; second state of three, printed with plate tone
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
The Old Justiciary Court House, Glasgow
Sir Muirhead Bone (d. 1953)
1911 · Drypoint and etching; seventh (final) state
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
The Zattere, Venice
Sir Muirhead Bone (d. 1953)
1912 · Drypoint
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
The Dogana, Venice
Sir Muirhead Bone (d. 1953)
1913 · Drypoint
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
On the Y, Amsterdam
Sir Muirhead Bone (d. 1953)
1914 · Drypoint; printed with plate tone, especially along bottom of image
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
The Giudecca, Venice
Sir Muirhead Bone (d. 1953)
1915 · Drypoint
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
The Mystery Ship, Padstow
Sir Muirhead Bone (d. 1953)
1919 · Drypoint; third (final) state printed with plate tone
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
The Jews' Quarter, Leeds
Sir Muirhead Bone (d. 1953)
1908 (printed 1921) · Drypoint; final state
In copyright
live1. Pin the work
Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.
2. Read the arithmetic
Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.
3. Seal and export
Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.