Skip to content
OpenPlate

Rights clearance desk for images

A painting can be out of copyright and thephotograph of it can still be protected.

Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.

Where this page got its records

  • The Metlive

    1010 ms. The Metropolitan Museum of Art, Collection API (Open Access)

  • Clevelandlive

    373 ms. The Cleveland Museum of Art, Open Access API

Your defaults

United States, editorial use, 10,000 reach.

Change on the terms page

2 of 2 providers answered live. 10 matching records exist across the two collections.

Results for "The Brahman’s wife who killed a peacock"11 records

Institutions answered newest-first by record, interleaved

Statuette of Isis with the infant Horus, dedicated by Ankhhor, son of Perekhbanebdjedet and Heretib by an unrecorded maker, The Metropolitan Museum of Art

Statuette of Isis with the infant Horus, dedicated by Ankhhor, son of Perekhbanebdjedet and Heretib

Unrecorded maker

ca. 721–525 BCE · Anhydrite

Cleared · Public Domain

live
The MetSimilar
The Brahman’s wife who killed a peacock and ate its gallbladder on the physician’s advice, from a Tuti-nama (Tales of a Parrot): Nineteenth Night by an unrecorded maker, The Cleveland Museum of Art

The Brahman’s wife who killed a peacock and ate its gallbladder on the physician’s advice, from a Tuti-nama (Tales of a Parrot): Nineteenth Night

Unrecorded maker

c. 1560 · Painting, gum tempera, ink, and gold on paper

Cleared · CC0

live
Cleveland Museum of ArtSimilar
Terracotta bell-krater (bowl for mixing wine and water) by Painter of London E 497, The Metropolitan Museum of Art

Terracotta bell-krater (bowl for mixing wine and water)

Painter of London E 497

ca. 440 BCE · Terracotta

Cleared · Public Domain

live
The MetSimilar
Terracotta calyx-krater (bowl for mixing wine and water) by Nekyia Painter, The Metropolitan Museum of Art

Terracotta calyx-krater (bowl for mixing wine and water)

Nekyia Painter

ca. 450–440 BCE · Terracotta

Cleared · Public Domain

live
The MetSimilar
Center table by Imperial Armory, Tula (south of Moscow), Russia, The Metropolitan Museum of Art

Center table

Imperial Armory, Tula (south of Moscow), Russia

ca. 1780–85 · Steel, silver, gilt copper, gilt brass, basswood; replaced mirror glass

Cleared · Public Domain

live
The MetSimilar
Vase with scenes of storm at sea by Dihl et Guérhard, The Metropolitan Museum of Art

Vase with scenes of storm at sea

Dihl et Guérhard (d. 1824)

ca. 1797–98 · Hard-paste porcelain decorated in polychrome enamels, gold

Cleared · Public Domain

live
The MetSimilar
Vase with scenes of storm on land by Dihl et Guérhard, The Metropolitan Museum of Art

Vase with scenes of storm on land

Dihl et Guérhard (d. 1824)

ca. 1797–98 · Hard-paste porcelain decorated in polychrome enamels, gold

Cleared · Public Domain

live
The MetSimilar
''‘Lady of the Evening Faces’ (Yūgao): Yazama’s Wife Orie (Yazama-shi no shitsu Orie),” from the series Scenes amid Genji Clouds Matched with Ukiyo-e Pictures (Genji-gumo ukiyo e-awase) by Utagawa Kuniyoshi, The Metropolitan Museum of Art

''‘Lady of the Evening Faces’ (Yūgao): Yazama’s Wife Orie (Yazama-shi no shitsu Orie),” from the series Scenes amid Genji Clouds Matched with Ukiyo-e Pictures (Genji-gumo ukiyo e-awase)

Utagawa Kuniyoshi (d. 1861)

1845–46 · Woodblock ōban print (nishiki-e); ink and color on paper

Cleared · Public Domain

live
The MetSimilar
"Oh! Oh! Oh!": plate 14 from Othello (Act 5, Scene 2) by Théodore Chassériau, The Metropolitan Museum of Art

"Oh! Oh! Oh!": plate 14 from Othello (Act 5, Scene 2)

Théodore Chassériau (d. 1856)

etched 1844, reprinted 1900 · Etching, engraving, and roulette on chine collé; second edition (Gazette des Beaux-Arts)

Cleared · Public Domain

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Count Ezzelin Bracciaferro Musing over the Body of His Wife Meduna, Slain by Him for Her Infidelity during his Absence in the Holy Land

John Raphael Smith (d. 1812)

May 1781 · Mezzotint

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Calligraphic Composition

Unrecorded maker

first half 20th century · Paint on glass

In copyright

live
The MetSimilar

1. Pin the work

Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.

2. Read the arithmetic

Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.

3. Seal and export

Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.