
The Riva, No. 1 (The Riva)
James McNeill Whistler (d. 1903)
1879–80 · Etching and drypoint, printed in black ink on medium weight ivory laid paper; fourth state of four (Glasgow)
Cleared · Public Domain
liveRights clearance desk for images
Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.
Where this page got its records
1126 ms. The Metropolitan Museum of Art, Collection API (Open Access)
324 ms. The Cleveland Museum of Art, Open Access API
2 of 2 providers answered live. 110 matching records exist across the two collections.
Institutions answered newest-first by record, interleaved

The Riva, No. 1 (The Riva)
James McNeill Whistler (d. 1903)
1879–80 · Etching and drypoint, printed in black ink on medium weight ivory laid paper; fourth state of four (Glasgow)
Cleared · Public Domain
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Private Room of Sir Henry Clinton, No. 1 Broadway, New York, 1858, in which Major André Received His Last Instructions, from Valentine's Manual
Adam Weingartner (d. 1860)
1858 · Lithograph
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
The Dial, No. 5
Charles Haslewood Shannon (d. 1937)
1897 · Illustrations: woodcuts, lithographs, photomechanical process
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Private Room of Sir Henry Clinton, No. 1 Broadway, New York, in which André Received his Last Instructions
Anonymous, American, 19th century (d. 1900)
19th century · Watercolor
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Bermuda No. 1, Tree and House
Charles Demuth (d. 1935)
1917 · Watercolor and graphite with cut paper on paper
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
[Six Photographs for Fortune Portfolio "The Boom in Ballet": Five (5) Portraits of Alicia Markova Applying Makeup and One (1) of Dancers at Dressing Room Mirror]
Walker Evans (d. 1975)
1941 · Gelatin silver print
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
The Breakers: "Dressing Room No. 1"
Ogden Codman, Jr. (d. 1951)
ca. 1894–95 · Watercolor and pencil on paper
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
The Breakers: "Dressing Room No. 2"
Ogden Codman, Jr. (d. 1951)
ca. 1894–95 · Watercolor and pencil on paper
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
The Breakers: "Dressing Room No. 3"
Ogden Codman, Jr. (d. 1951)
ca. 1894–95 · Watercolor and pencil on paper
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
The Breakers: "Dressing Room No. 9"
Ogden Codman, Jr. (d. 1951)
ca. 1894–95 · Watercolor and pencil on paper
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
The Breakers: Dressing room (No. 7), wall panelling with bureau and mirror
Ogden Codman, Jr. (d. 1951)
ca. 1894–95 · Watercolor over graphite
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
The Breakers: Dressing room (No. 8) for Cornelius Vanderbilt II and family, wall panelling with side table and mirror
Ogden Codman, Jr. (d. 1951)
ca. 1894–95 · Watercolor over graphite
In copyright
live1. Pin the work
Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.
2. Read the arithmetic
Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.
3. Seal and export
Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.