Skip to content
OpenPlate

Rights clearance desk for images

A painting can be out of copyright and thephotograph of it can still be protected.

Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.

Where this page got its records

  • The Metlive

    331 ms. The Metropolitan Museum of Art, Collection API (Open Access)

  • Clevelandlive

    423 ms. The Cleveland Museum of Art, Open Access API

Your defaults

United States, editorial use, 10,000 reach.

Change on the terms page

2 of 2 providers answered live. 686 matching records exist across the two collections.

Results for "The Bride"12 records

Institutions answered newest-first by record, interleaved

The Bride Taken Home by Abraham Bosse, The Metropolitan Museum of Art

The Bride Taken Home

Abraham Bosse (d. 1676)

1633 · Etching

Cleared · Public Domain

live
The MetSimilar
The Bride by Edward Calvert, The Cleveland Museum of Art

The Bride

Edward Calvert (d. 1883)

1829 · Print, engraving

Cleared · CC0

live
Cleveland Museum of ArtSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Le Couché de la Mariée (The Sleep of the Bride)

Jean Michel Moreau le Jeune (d. 1814)

1768 · Etching and engraving; fifth state of five [?] (Bocher)

In copyright

live
The MetSimilar
The Wedding of Mopsus and Nisa (The Dirty Bride) by Pieter van der Heyden, The Cleveland Museum of Art

The Wedding of Mopsus and Nisa (The Dirty Bride)

Pieter van der Heyden (d. 1572)

1570 · Print, engraving

Cleared · CC0

live
Cleveland Museum of ArtSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

The Sleep of the Bride

Jean Michel Moreau le Jeune (d. 1814)

1768 · Etching; first state of five (Bocher)

In copyright

live
The MetSimilar
Book-Shaped Reliquary by The Master of the Registrum Gregorii, The Cleveland Museum of Art

Book-Shaped Reliquary

The Master of the Registrum Gregorii (d. 1000)

c. 1000 · Metalwork, ivory, silver: gilded, pearls, rubies, emeralds, crystals, onyx, carnelian, oak

Cleared · CC0

live
Cleveland Museum of ArtSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Mr. H. Johnston as Giaffier, in the Bride of Abydos

George Cruikshank (d. 1878)

February 18, 1818 · Etching, hand-colored

In copyright

live
The MetSimilar
Bridal Robe (Hwarot) by an unrecorded maker, The Cleveland Museum of Art

Bridal Robe (Hwarot)

Unrecorded maker

1700s · Garment, Satin weave silk; silk embroidery; paper edging on neck and sleeves

Cleared · CC0

live
Cleveland Museum of ArtSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

The Bride of Lammermoor

Thomas Oldham Barlow (d. 1889)

1882 · Mezzotint with stipple and etching on chine collé; proof before letters

In copyright

live
The MetSimilar
A Bride and Her Bridesmaids by Josiah Johnson Hawes, The Cleveland Museum of Art

A Bride and Her Bridesmaids

Josiah Johnson Hawes (d. 1901)

1851 or later · Photograph, whole-plate daguerreotype

Cleared · CC0

live
Cleveland Museum of ArtSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

14. The Bride Ready for the Ceremony

Unknown

1860s–80s · Photomechanical print

In copyright

live
The MetSimilar
Bridal Robe (Hwarot) by an unrecorded maker, The Cleveland Museum of Art

Bridal Robe (Hwarot)

Unrecorded maker

1850–1910 · Garment, Satin weave silk; silk embroidery; paper edging on neck and sleeves

Cleared · CC0

live
Cleveland Museum of ArtSimilar

1. Pin the work

Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.

2. Read the arithmetic

Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.

3. Seal and export

Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.