
Upper Part of a Seated Statue of Pharaoh Senwosret III or Amenemhat III
Unrecorded maker
ca. 1878–1813 BC · Steatite or serpentinite
Cleared · Public Domain
liveRights clearance desk for images
Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.
Where this page got its records
463 ms. The Metropolitan Museum of Art, Collection API (Open Access)
280 ms. The Cleveland Museum of Art, Open Access API
2 of 2 providers answered live. 131 matching records exist across the two collections.
Institutions answered newest-first by record, interleaved

Upper Part of a Seated Statue of Pharaoh Senwosret III or Amenemhat III
Unrecorded maker
ca. 1878–1813 BC · Steatite or serpentinite
Cleared · Public Domain
live
The Bridge in Middle Distance, part III, plate 13 from "Liber Studiorum"
Joseph Mallord William Turner (d. 1851)
June 10, 1808 · Etching, aquatint and mezzotint; first state of five (Finberg)
Cleared · Public Domain
live
The Bridge and Goats, part IX, plate 43 from "Liber Studiorum"
Joseph Mallord William Turner (d. 1851)
April 23, 1812 · Etching, aquatint and mezzotint; first state of five (Finberg)
Cleared · Public Domain
live
Viewing the Sunset over Ryōgoku Bridge from the Onmaya Embankment (Onmayagashi yori Ryōgokubashi sekiyō o miru), from the series Thirty-six Views of Mount Fuji (Fugaku sanjūrokkei)
Katsushika Hokusai (d. 1849)
ca. 1830–31 · Woodblock print; ink and color on paper
Cleared · Public Domain
live
The Ruins of the Abbey
Frances Flora Bond Palmer (d. 1876)
1856 · Hand-colored lithograph
Cleared · Public Domain
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Cardigan Bridge
Sir Francis Seymour Haden (d. 1910)
1864 · Etching and drypoint; first state of two (Harrington); first state of two (Schneiderman)
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Old Willesley House
Sir Francis Seymour Haden (d. 1910)
1865 · Etching and drypoint; first (final) state (Harrington); third state of four (Schneiderman)
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Haarlem
Sir David Young Cameron (d. 1945)
1893 · Etching; only state
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Our America luncheon plate with Chicago's Michigan Avenue Bridge
Rockwell Kent (d. 1971)
ca. 1940–43 · Earthenware
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Our America with Bridge Building, Coffee pot
Rockwell Kent (d. 1971)
ca. 1940–43 · Earthenware
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Guitar
José Ramirez III (d. 1995)
1967 · Spruce, rosewood, ivory or bone, ebony, plastic
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
YAZD III
Frank Stella (d. 2024)
1968 · Acrylic on canvas
In copyright
live1. Pin the work
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2. Read the arithmetic
Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.
3. Seal and export
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