The Repeal, or the Funeral of Miss Ame-Stamp
Anonymous, British, 18th century (d. 1800)
1766 · Hand-colored etching
Cleared · Public Domain
liveThe MetSimilar
Rights clearance desk for images
A painting can be out of copyright and thephotograph of it can still be protected.
Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.
Where this page got its records
- The Metlive
298 ms. The Metropolitan Museum of Art, Collection API (Open Access)
- Clevelandlive
306 ms. The Cleveland Museum of Art, Open Access API
2 of 2 providers answered live. 1,732 matching records exist across the two collections.
Results for "The British Carpenter: Or, A Treatise On"12 records
Institutions answered newest-first by record, interleaved
A Compendious Treatise on Modern Education
Thomas Rowlandson (d. 1827)
May 10, 1802 · Hand-colored etching
Cleared · Public Domain
liveThe MetSimilar
No open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
The British Carpenter: Or, A Treatise On Carpentry. Containing the most concise and authentick Rules of that Art, ...
Francis Price (d. 1753)
1759 · Illustrations: etching and engraving
In copyright
liveThe MetSimilar
No open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
The British Carpenter; or, a Treatise on Carpentry...
Francis Price (d. 1753)
1768 · Illustrations: etching and engraving
In copyright
liveThe MetSimilar
No open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
All on Fire, or the Doctors Disappointed, A View Taken in Lord Foley's Garden, September 29, 1784
Anonymous, British, 18th century (d. 1800)
October 20, 1784 · Etching and mezzotint, hand colored
In copyright
liveThe MetSimilar
No open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
A Compleat Treatise on Perspective, an Appendix or Second Part
Thomas Malton, the Elder (d. 1801)
1800 · Illustrations: engraving
In copyright
liveThe MetSimilar
No open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
The Cauldron–Or Shakespeare Travestie–1820
Anonymous, British, 19th century (d. 1900)
August 1820 · Hand-colored etching
In copyright
liveThe MetSimilar
No open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Design for a Vase or Flower Pot on a Tripod
Anonymous, British, 19th century (d. 1900)
ca. 1820–50 · Watercolor and gouache over graphite
In copyright
liveThe MetSimilar
No open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
A Fine Refiner, or a Search for the Philosopher's Stone!!
Anonymous, British, 19th century (d. 1900)
ca. 1825 · Hand-colored etching
In copyright
liveThe MetSimilar
No open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
A Treatise on Painting : In Four Parts, Consisting of an Educationg of the Eye, with Reference to Painting, and Practical Hints on Composition, Chiaroscuro and Colour, The Whole Illustrated by Examples from the Italian, Venetian, Flemish, and Dutch Schools
John Burnet (d. 1868)
1846 · Illustrations: aquatint
In copyright
liveThe MetSimilar
No open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
A Treatise on Anastatic Printing, or the Art of Reprinting from Prints on Paper
C. J. Jordan (d. 1950)
1853 · Text only
In copyright
liveThe MetSimilar
No open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
The Good Carpenter or Destiny
Emile Bernard (d. 1941)
1892 · Zincograph printed in sienna
In copyright
liveThe MetSimilar
1. Pin the work
Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.
2. Read the arithmetic
Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.
3. Seal and export
Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.