Skip to content
OpenPlate

Rights clearance desk for images

A painting can be out of copyright and thephotograph of it can still be protected.

Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.

Where this page got its records

  • The Metlive

    158 ms. The Metropolitan Museum of Art, Collection API (Open Access)

  • Clevelandlive

    385 ms. The Cleveland Museum of Art, Open Access API

Your defaults

United States, editorial use, 10,000 reach.

Change on the terms page

2 of 2 providers answered live. 6 matching records exist across the two collections.

Results for "The Burglars"7 records

Institutions answered newest-first by record, interleaved

House-Breakers by Thomas Rowlandson, The Metropolitan Museum of Art

House-Breakers

Thomas Rowlandson (d. 1827)

August 1, 1791 · Hand-colored etching and aquatint

Cleared · Public Domain

live
The MetSimilar
Piggy Bank by an unrecorded maker, The Cleveland Museum of Art

Piggy Bank

Unrecorded maker

1300s–1400s · Sculpture, terracotta

Cleared · CC0

live
Cleveland Museum of ArtSimilar
A Brace of Public Guardians by Thomas Rowlandson, The Metropolitan Museum of Art

A Brace of Public Guardians

Thomas Rowlandson (d. 1827)

July 10, 1800 · Hand-colored etching

Cleared · Public Domain

live
The MetSimilar
In order to falsely implicate her husband, Hamnaz places a knife by his side and lets the blood dripping from her nose stain his clothes, from a Tuti-nama (Tales of a Parrot): Twenty-fifth Night by an unrecorded maker, The Cleveland Museum of Art

In order to falsely implicate her husband, Hamnaz places a knife by his side and lets the blood dripping from her nose stain his clothes, from a Tuti-nama (Tales of a Parrot): Twenty-fifth Night

Unrecorded maker

c. 1560 · Painting, gum tempera, ink, and gold on paper

Cleared · CC0

live
Cleveland Museum of ArtSimilar
Rogues, a Study of Characters by Samuel G. Szabó, The Metropolitan Museum of Art

Rogues, a Study of Characters

Samuel G. Szabó (d. 1861)

ca. 1859 · Salted paper prints from glass negatives

Cleared · Public Domain

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

The Burglars

John Sloan (d. 1951)

1903 · Etching

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

In the bishop's carriage

Margaret Neilson Armstrong (d. 1944)

1904

In copyright

live
The MetSimilar

1. Pin the work

Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.

2. Read the arithmetic

Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.

3. Seal and export

Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.