Skip to content
OpenPlate

Rights clearance desk for images

A painting can be out of copyright and thephotograph of it can still be protected.

Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.

Where this page got its records

  • The Metlive

    237 ms. The Metropolitan Museum of Art, Collection API (Open Access)

  • Clevelandlive

    303 ms. The Cleveland Museum of Art, Open Access API

Your defaults

United States, editorial use, 10,000 reach.

Change on the terms page

2 of 2 providers answered live. 71 matching records exist across the two collections.

Results for "The Burial of Saint Martha"12 records

Institutions answered newest-first by record, interleaved

Ampulla (Flask) of Saint Menas by an unrecorded maker, The Metropolitan Museum of Art

Ampulla (Flask) of Saint Menas

Unrecorded maker

late 6th century–mid 8th century · Earthenware; molded

Cleared · Public Domain

live
The MetSimilar
Saint Mary Magdalene by an unrecorded maker, The Metropolitan Museum of Art

Saint Mary Magdalene

Unrecorded maker

ca. 1325 · Pot-metal, colorless glass, and vitreous paint

Cleared · Public Domain

live
The MetSimilar
The Burial of Saint Martha by Sano di Pietro (Ansano di Pietro di Mencio), The Metropolitan Museum of Art

The Burial of Saint Martha

Sano di Pietro (Ansano di Pietro di Mencio) (d. 1481)

ca. 1460–70 · Tempera and gold on wood

Cleared · Public Domain

live
The MetSimilar
The Burial of Saint Zenobius by Davide Ghirlandaio (David Bigordi), The Metropolitan Museum of Art

The Burial of Saint Zenobius

Davide Ghirlandaio (David Bigordi) (d. 1525)

ca. 1479 · Tempera and gold on wood

Cleared · Public Domain

live
The MetSimilar
Le devote meditatione sopra la passione del nostro signore by Saint Bonaventura, The Metropolitan Museum of Art

Le devote meditatione sopra la passione del nostro signore

Saint Bonaventura (d. 1274)

1487 · Printed book with woodcut illustrations

Cleared · Public Domain

live
The MetSimilar
The Burial of Saint Wenceslas by Master of Eggenburg, The Metropolitan Museum of Art

The Burial of Saint Wenceslas

Master of Eggenburg (d. 1500)

ca. 1490–1500 · Oil and gold on spruce

Cleared · Public Domain

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

The Burial of Saint Catherine

Cornelis Cort (d. 1578)

1575 · Engraving

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

The Burial of Saint Catherine

Cornelis Cort (d. 1578)

1575 · Engraving

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

The Burial of Saint Catherine

Cornelis Cort (d. 1578)

1575 · Engraving

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

The Burial of Saint Petronilla, after a painting by Guercino for Saint Peter's Basilica

Sir Nicolas Dorigny (d. 1746)

1700 · Etching and engraving

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

The Burial of Saint Petronilla, after a painting by Guercino for Saint Peter's Basilica

Johann Jakob Frey (d. 1865)

1731 · Engraving

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

The Temptation of Saint Antony

Gustave Flaubert (d. 1880)

1930 · Illustrations: wood engraving

In copyright

live
The MetSimilar

1. Pin the work

Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.

2. Read the arithmetic

Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.

3. Seal and export

Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.