Rights clearance desk for images
Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.
Where this page got its records
205 ms. The Metropolitan Museum of Art, Collection API (Open Access)
350 ms. The Cleveland Museum of Art, Open Access API
2 of 2 providers answered live. 6,812 matching records exist across the two collections.
Institutions answered newest-first by record, interleaved
View of the Obelisk of Thutmosis III Seen from the Walls of Alexandria
Jan van Call (d. 1703)
late 17th–early 18th century · Watercolor, graphite, pen and brown and black ink. Along the upper and the lower edge, a framing line in pen and brown ink; along the left and the right edge, a framing line in graphite
Cleared · Public Domain
live
The Call
Paul Gauguin (d. 1903)
1902 · Painting, oil on canvas
Cleared · CC0
live
A Sick Call, from "Illustrated London News"
Horace Harral (d. 1905)
July 25, 1863 · Wood engraving
Cleared · Public Domain
live
Apollo and the Muses Awakened by the Call of Fame
Jacopo Palma il Giovane (d. 1628)
1590s · Drawing, pen and brown ink and brush and brown wash over graphite
Cleared · CC0
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Rhine Riverscape
Jan van Call (d. 1706)
date not published · Etching printed à la poupée and hand-colored
In copyright
live
Altarpiece with The Passion of Christ
Master of the Schlägl Altarpiece
c. 1440s · Painting, oil and gold on wood
Cleared · CC0
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
The Hague, Estate Honselaarsdijk
Jan van Call (d. 1706)
1666–1706 · Etching, inked à la poupée in blue, brown, and red ink
In copyright
live
Buddha Calling on Earth to Witness
Unrecorded maker
800s · Sculpture, chloritic schist
Cleared · CC0
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
The Morning Call
George Baxter (d. 1867)
1853 · Baxter process: aquatint key plate with oil colors printed from 8 wood engraved blocks
In copyright
live
Triptych with The Lamentation of Christ (center), St. Barbara (left wing), St. Catherine of Alexandria (right wing), The Annunciation (reverse wings)
Master of the Krainburg Altar (d. 1510)
c. 1500 · Painting, Center: oil on poplar; Wings: oil and gold leaf on poplar panel
Cleared · CC0
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Produce Exchange. The Call Room
Henry Wolf (d. 1916)
1890s · Woodblock
In copyright
live
The Annunciation
Jaume Ferrer the Younger
c. 1457 · Painting, oil, tempera, and gold on wood panel (fir)
Cleared · CC0
live1. Pin the work
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2. Read the arithmetic
Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.
3. Seal and export
Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.