Skip to content
OpenPlate

Rights clearance desk for images

A painting can be out of copyright and thephotograph of it can still be protected.

Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.

Where this page got its records

  • The Metlive

    350 ms. The Metropolitan Museum of Art, Collection API (Open Access)

  • Clevelandlive

    313 ms. The Cleveland Museum of Art, Open Access API

Your defaults

United States, editorial use, 10,000 reach.

Change on the terms page

2 of 2 providers answered live. 112 matching records exist across the two collections.

Results for "The Captive of V Hugo (La Captive de V."12 records

Institutions answered newest-first by record, interleaved

Kneeling captive by an unrecorded maker, The Metropolitan Museum of Art

Kneeling captive

Unrecorded maker

ca. 2246–2152 BCE · Limestone, paint

Cleared · Public Domain

live
The MetSimilar
An Artist at the French Academy in Rome (?), pl. V from "Recueil de caricatures" by Ange-Laurent de La Live de Jully, The Metropolitan Museum of Art

An Artist at the French Academy in Rome (?), pl. V from "Recueil de caricatures"

Ange-Laurent de La Live de Jully (d. 1779)

ca. 1754 · Etching

Cleared · Public Domain

live
The MetSimilar
The Conclusion of the Treaty of Troye, Where Henry the V, King of England, Receives the Princess of France in Marriage by William Hamilton, The Metropolitan Museum of Art

The Conclusion of the Treaty of Troye, Where Henry the V, King of England, Receives the Princess of France in Marriage

William Hamilton (d. 1801)

1788 · Stipple engraving with etching, printed with some color

Cleared · Public Domain

live
The MetSimilar
Contes et nouvelles en vers par Jean de la Fontaine by Jean de La Fontaine, The Metropolitan Museum of Art

Contes et nouvelles en vers par Jean de la Fontaine

Jean de La Fontaine (d. 1695)

1795

Cleared · Public Domain

live
The MetSimilar
Charles V spearing a bull in the ring at Valladolid, plate 10 from "La Tauromaquia" by Goya (Francisco de Goya y Lucientes), The Metropolitan Museum of Art

Charles V spearing a bull in the ring at Valladolid, plate 10 from "La Tauromaquia"

Goya (Francisco de Goya y Lucientes) (d. 1828)

1816 · Etching, burnished aquatint, drypoint, burin

Cleared · Public Domain

live
The MetSimilar
Ile de Fîleh (Philæ), Édifice du Sud et Partie de la Colonnade Occidentale Vue du Point V by Félix Teynard, The Metropolitan Museum of Art

Ile de Fîleh (Philæ), Édifice du Sud et Partie de la Colonnade Occidentale Vue du Point V

Félix Teynard (d. 1892)

1851–52, printed 1853–54 · Salted paper print from paper negative

Cleared · Public Domain

live
The MetSimilar
Odalisque reclining in a harem, from "Titres de Romance" by Félix Bracquemond, The Metropolitan Museum of Art

Odalisque reclining in a harem, from "Titres de Romance"

Félix Bracquemond (d. 1914)

1857 · Etching on chine collé; first state of two

Cleared · Public Domain

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

The Captive of V Hugo (La Captive de V. Hugo), published in Les Beaux-Arts, volume 1, 1843

Paul Gavarni [Chevalier] (d. 1866)

1843 · Crayon and ink lithograph with scraping; second state of four

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

La Trompe, plate V from the series Musiciens Comiques ou Pittoresques, published in Revue et Gazette musicale, March 24, 1844

Bureaux du Figaro et de l'autographe

March 24, 1844 · Lithograph on chine collé; second state of three

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

George V, King of England, from "Europe During the War"

Anonymous, 20th century (d. 1999)

ca. 1920 · Commercial color lithograph

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Mehmed V, Sultan of Turkey, from "Europe During the War"

Anonymous, 20th century (d. 1999)

ca. 1920 · Commercial color lithograph

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Soil Element V (Elément de sol V)

Jean Dubuffet (d. 1985)

1958 · Lithograph

In copyright

live
The MetSimilar

1. Pin the work

Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.

2. Read the arithmetic

Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.

3. Seal and export

Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.