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OpenPlate

Rights clearance desk for images

A painting can be out of copyright and thephotograph of it can still be protected.

Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.

Where this page got its records

  • The Metlive

    307 ms. The Metropolitan Museum of Art, Collection API (Open Access)

  • Clevelandlive

    357 ms. The Cleveland Museum of Art, Open Access API

Your defaults

United States, editorial use, 10,000 reach.

Change on the terms page

2 of 2 providers answered live. 48 matching records exist across the two collections.

Results for "The Carpenters Companion: being an accur"12 records

Institutions answered newest-first by record, interleaved

Model Sporting Boat by an unrecorded maker, The Metropolitan Museum of Art

Model Sporting Boat

Unrecorded maker

ca. 1981–1975 B.C. · Plastered and painted wood, linen, linen twine, copper

Cleared · Public Domain

live
The MetSimilar
Triton and Nereid by Andrea Briosco, called Riccio, The Metropolitan Museum of Art

Triton and Nereid

Andrea Briosco, called Riccio (d. 1532)

after 1532–before ca. 1550 · Bronze

Cleared · Public Domain

live
The MetSimilar
The Moon Goddess Chang E by Unidentified artist, The Metropolitan Museum of Art

The Moon Goddess Chang E

Unidentified artist

1644 · Hanging scroll; ink and color on paper

Cleared · Public Domain

live
The MetSimilar
Portrait of a Gentleman and His Daughter by Francois M. Guyol de Guiran, The Metropolitan Museum of Art

Portrait of a Gentleman and His Daughter

Francois M. Guyol de Guiran (d. 1849)

ca. 1805 · Watercolor on ivory and painted paper

Cleared · Public Domain

live
The MetSimilar
From Spenser's Fairy Queen (Liber Studiorum, part VII, plate 36) by Joseph Mallord William Turner, The Metropolitan Museum of Art

From Spenser's Fairy Queen (Liber Studiorum, part VII, plate 36)

Joseph Mallord William Turner (d. 1851)

June 1811 · Etching and mezzotint; fourth state of four

Cleared · Public Domain

live
The MetSimilar
From Spenser's Fairy Queen, part VII, plate 36 from "Liber Studiorum" by Joseph Mallord William Turner, The Metropolitan Museum of Art

From Spenser's Fairy Queen, part VII, plate 36 from "Liber Studiorum"

Joseph Mallord William Turner (d. 1851)

June 1811 · Etching and mezzotint; first state of four

Cleared · Public Domain

live
The MetSimilar
The Favorite Cat by Nathaniel Currier, The Metropolitan Museum of Art

The Favorite Cat

Nathaniel Currier (d. 1888)

1838–48 · Hand-colored lithograph

Cleared · Public Domain

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

The Carpenters Companion: being an accurate and compleat treatise of carpenters works...to which is added the five orders...

James Smith (d. 1750)

1733 · Illustrations: etching and engraving

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

In Paris–A Café Artist

Charles Dana Gibson (d. 1944)

1894 · Pen and ink over graphite on artist's board

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

The Barbarians

Max Ernst (d. 1976)

1937 · Oil on cardboard

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Madeö (ambivalent spirit) altar figure

Senufo artist

late 19th–mid-20th century · Wood, pigment

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Madeö (ambivalent spirit) altar figure

Senufo artist

late 19th–mid-20th century · Wood, pigment

In copyright

live
The MetSimilar

1. Pin the work

Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.

2. Read the arithmetic

Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.

3. Seal and export

Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.