
Model Sporting Boat
Unrecorded maker
ca. 1981–1975 B.C. · Plastered and painted wood, linen, linen twine, copper
Cleared · Public Domain
liveRights clearance desk for images
Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.
Where this page got its records
307 ms. The Metropolitan Museum of Art, Collection API (Open Access)
357 ms. The Cleveland Museum of Art, Open Access API
2 of 2 providers answered live. 48 matching records exist across the two collections.
Institutions answered newest-first by record, interleaved

Model Sporting Boat
Unrecorded maker
ca. 1981–1975 B.C. · Plastered and painted wood, linen, linen twine, copper
Cleared · Public Domain
live
Triton and Nereid
Andrea Briosco, called Riccio (d. 1532)
after 1532–before ca. 1550 · Bronze
Cleared · Public Domain
live
The Moon Goddess Chang E
Unidentified artist
1644 · Hanging scroll; ink and color on paper
Cleared · Public Domain
live
Portrait of a Gentleman and His Daughter
Francois M. Guyol de Guiran (d. 1849)
ca. 1805 · Watercolor on ivory and painted paper
Cleared · Public Domain
live
From Spenser's Fairy Queen (Liber Studiorum, part VII, plate 36)
Joseph Mallord William Turner (d. 1851)
June 1811 · Etching and mezzotint; fourth state of four
Cleared · Public Domain
live
From Spenser's Fairy Queen, part VII, plate 36 from "Liber Studiorum"
Joseph Mallord William Turner (d. 1851)
June 1811 · Etching and mezzotint; first state of four
Cleared · Public Domain
live
The Favorite Cat
Nathaniel Currier (d. 1888)
1838–48 · Hand-colored lithograph
Cleared · Public Domain
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
The Carpenters Companion: being an accurate and compleat treatise of carpenters works...to which is added the five orders...
James Smith (d. 1750)
1733 · Illustrations: etching and engraving
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
In Paris–A Café Artist
Charles Dana Gibson (d. 1944)
1894 · Pen and ink over graphite on artist's board
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
The Barbarians
Max Ernst (d. 1976)
1937 · Oil on cardboard
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Madeö (ambivalent spirit) altar figure
Senufo artist
late 19th–mid-20th century · Wood, pigment
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Madeö (ambivalent spirit) altar figure
Senufo artist
late 19th–mid-20th century · Wood, pigment
In copyright
live1. Pin the work
Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.
2. Read the arithmetic
Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.
3. Seal and export
Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.