The Lament of the Art of Painting
Cornelis Cort (d. 1578)
1579 · Engraving; two plates printed on two sheets
Cleared · Public Domain
liveThe MetSimilar
Rights clearance desk for images
A painting can be out of copyright and thephotograph of it can still be protected.
Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.
Where this page got its records
- The Metlive
335 ms. The Metropolitan Museum of Art, Collection API (Open Access)
- Clevelandlive
350 ms. The Cleveland Museum of Art, Open Access API
2 of 2 providers answered live. 37,466 matching records exist across the two collections.
Results for "The Cathedrals of Art"12 records
Institutions answered newest-first by record, interleaved
Two Standing Apostles (probably Saint John the Evangelist and St. Paul)
Master of the Saint-Omer Apostles
c. 1430 · Sculpture, Alabaster
Cleared · CC0
liveCleveland Museum of ArtSimilar
Beaker with view of the Stephansdom, Vienna
Gottlob Samuel Mohn (d. 1825)
1812 · Glass
Cleared · Public Domain
liveThe MetSimilar
Book-Shaped Reliquary
The Master of the Registrum Gregorii (d. 1000)
c. 1000 · Metalwork, ivory, silver: gilded, pearls, rubies, emeralds, crystals, onyx, carnelian, oak
Cleared · CC0
liveCleveland Museum of ArtSimilar
No open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Transactions of the American Art-Union for the Year 1845
American Art-Union, New York (d. 1851)
1845 · Illustrations: etching, engraving and wood engraving
In copyright
liveThe MetSimilar
Book of Hours (Use of Rouen)
Master of the Geneva Latini
c. 1470 · Bound Volume, ink, tempera, and gold on vellum
Cleared · CC0
liveCleveland Museum of ArtSimilar
No open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Transactions of the American Art-Union for the Year 1846
American Art-Union, New York (d. 1851)
1846 · Illustrations: etching, engraving, wood engraving
In copyright
liveThe MetSimilar
Standing Apostle (Saint Paul?)
Master of the Saint-Omer Apostles
c. 1430 · Sculpture, Alabaster
Cleared · CC0
liveCleveland Museum of ArtSimilar
No open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Gallery of American Art, No. I, Consisting of the Following Line Engravings on Steel...for Members of the American Art Union of MDCCCL [Paper cover for a set of prints]
American Art-Union, New York (d. 1851)
1850–51 · Printed brown paper
In copyright
liveThe MetSimilar
Printed Book of Hours (Use of Rome)
Guillaume Le Rouge (d. 1517)
1510 · Bound Volume, 112 printed folios on parchment, bound
Cleared · CC0
liveCleveland Museum of ArtSimilar
No open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
[Group of 12 Stereograph Views of British Cathedrals]
Unknown
1850s–1910s · Albumen silver prints
In copyright
liveThe MetSimilar
Fragment of a Capital with Scenes from Mary’s Infancy
The Cathedral of Monopoli
early 1100s · Sculpture, fine-grained limestone
Cleared · CC0
liveCleveland Museum of ArtSimilar
1. Pin the work
Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.
2. Read the arithmetic
Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.
3. Seal and export
Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.