
Ceiling Painting from the Tomb Chapel of Senenmut
Unrecorded maker
ca. 1473–1458 BCE · Mud plaster, paint
Cleared · Public Domain
liveRights clearance desk for images
Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.
Where this page got its records
191 ms. The Metropolitan Museum of Art, Collection API (Open Access)
288 ms. The Cleveland Museum of Art, Open Access API
2 of 2 providers answered live. 1,827 matching records exist across the two collections.
Institutions answered newest-first by record, interleaved

Ceiling Painting from the Tomb Chapel of Senenmut
Unrecorded maker
ca. 1473–1458 BCE · Mud plaster, paint
Cleared · Public Domain
live
Ceiling Painting from the Tomb Chapel of Senenmut
Unrecorded maker
ca. 1473–1458 BCE · Mud plaster, paint
Cleared · Public Domain
live
Ceiling Painting from the Tomb Chapel of Senenmut
Unrecorded maker
ca. 1473–1458 BCE · Mud plaster, paint
Cleared · Public Domain
live
Ceiling Painting from the Tomb Chapel of Senenmut
Unrecorded maker
ca. 1473–1458 BCE · Mud plaster, paint
Cleared · Public Domain
live
Ceiling painting from the palace of Amenhotep III
Unrecorded maker
ca. 1386–1347 BCE · Dried Mud, mud plaster, paint, gesso
Cleared · Public Domain
live
Design for a Ceiling with Strapwork and a Cross-shaped Center
Hans Jakob Ebelmann (d. 1625)
1609 · Etching and engraving
Cleared · Public Domain
live
Ceiling Ornament, nos. CCCXXII–CCCXXVI, plate 50 from "Designs for Various Ornaments"
Michelangelo Pergolesi (d. 1801)
February 27, 1791 · Etching; printed in dark brown ink
Cleared · Public Domain
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
The Ceiling and other Ornaments in the Temple of the Sun at Kew
Sir William Chambers (d. 1796)
1763 · Pen and ink, brush and wash
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Designs for Hair Ornaments, Brooches, and Other Jewelry of the Second Empire
Anonymous, French, 19th century (d. 1900)
ca. 1850–70 · Lithograph
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Modern Architectural Designs and Details in the Queen Anne, Eastlake, Elizabethan and other modernized styles
William T. Comstock (d. 1950)
1881 · Illustrations: lithographs
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Eurythmy, or Jump Over the Bauhaus
T. Lux Feininger (d. 2011)
1927 · Gelatin silver print
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Ceremonial House Ceiling
Unrecorded maker
1970–1973 · Sago palm spathe, paint, wood
In copyright
live1. Pin the work
Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.
2. Read the arithmetic
Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.
3. Seal and export
Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.