
The Barn
Adriaen van Ostade (d. 1685)
1647 · Etching
Cleared · Public Domain
liveRights clearance desk for images
Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.
Where this page got its records
268 ms. The Metropolitan Museum of Art, Collection API (Open Access)
409 ms. The Cleveland Museum of Art, Open Access API
2 of 2 providers answered live. 965 matching records exist across the two collections.
Institutions answered newest-first by record, interleaved

The Barn
Adriaen van Ostade (d. 1685)
1647 · Etching
Cleared · Public Domain
live
The Barn
Adriaen van Ostade (d. 1685)
1647 · Etching; third state of ten
Cleared · Public Domain
live![[Cornfield in Back of the Barn] by Thomas Eakins, The Metropolitan Museum of Art](https://images.metmuseum.org/CRDImages/ph/web-large/DP237333.jpg)
[Cornfield in Back of the Barn]
Thomas Eakins (d. 1916)
1883 · Albumen silver print
Cleared · Public Domain
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
The Old Barn Floor
Currier & Ives (d. 1907)
1868 · Hand-colored lithograph
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
The Champions of the Barn
William De La Montagne Cary (d. 1922)
1876 · Hand-colored lithograph
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
The Red Barn
Arthur B. Davies (d. 1928)
1895 · Pastel, black chalk, and graphite on dark pink paper
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Uhlan, from the Series of Champions (T227)
Honest Long Cut Tobacco
1912 · Commercial color lithograph
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
The Hay Barn
Childe Hassam (d. 1935)
1920 · Etching
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
The Barn
Ernest Haskell (d. 1925)
1923 · Etching
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
The Pigeon Barn
Charles Ephraim Burchfield (d. 1967)
1946 · Watercolor with opaque watercolor on paper
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
The Deserted Barn
Melville Thomas Wire (d. 1966)
1947 · Etching
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
The Barn in Bolton
Dorothy Dehner (d. 1994)
ca. 1952–53 · Etching and aquatint
In copyright
live1. Pin the work
Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.
2. Read the arithmetic
Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.
3. Seal and export
Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.