
The Coiffure
Ludwigsburg Porcelain Manufactory (d. 1824)
ca. 1770 · Hard-paste porcelain
Cleared · Public Domain
liveRights clearance desk for images
Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.
Where this page got its records
144 ms. The Metropolitan Museum of Art, Collection API (Open Access)
352 ms. The Cleveland Museum of Art, Open Access API
2 of 2 providers answered live. 437 matching records exist across the two collections.
Institutions answered newest-first by record, interleaved

The Coiffure
Ludwigsburg Porcelain Manufactory (d. 1824)
ca. 1770 · Hard-paste porcelain
Cleared · Public Domain
live
Portrait Bust of the Empress Claudia Octavia
Unrecorded maker
50–70 CE · Sculpture, marble
Cleared · CC0
live
The Coiffure (Playbill for the Théâtre Libre)
Henri de Toulouse-Lautrec (d. 1901)
1893 · Crayon and brush lithograph printed in three colors on imitation japan paper; second state of two
Cleared · Public Domain
live
Female Figurine
Unrecorded maker
c. 1500–500 BCE · Sculpture, earthenware with pigment
Cleared · CC0
live
Musamo (headrest)
"Master of the Cascade Coiffure" (d. 1900)
ca. 1850–1900 · Wood, glass beads, plant fiber
Cleared · Public Domain
live
Female Figurine
Unrecorded maker
330–200 BCE · Sculpture, molded terracotta, painted
Cleared · CC0
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
The Coiffure
Mary Cassatt (d. 1926)
1890–91 · Drypoint and aquatint, printed in color from three plates; fifth state of five (Mathews & Shapiro)
In copyright
live
Male Figure
Unrecorded maker
mid- to late 1800s · Sculpture, Wood and colorant
Cleared · CC0
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Study for The Coiffure (No. 2)
Mary Cassatt (d. 1926)
ca. 1891 · Graphite with softground on the verso (bled through to the recto)
In copyright
live
Headpiece (nlo-o-ngo)
Unrecorded maker
early 1900s · Garment, Plant fibers, cloth, hair, cowrie shells, buttons, upholstery studs, and thread
Cleared · CC0
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
The Coiffure
Mary Cassatt (d. 1926)
ca. 1891 · Drypoint; first state of five (Mathews & Shapiro)
In copyright
live
Leaf from a Psalter: Historiated Initial D with The Trinity
Master of the Queen Mary Psalter
c.1310 · Manuscript, ink, tempera and gold on vellum
Cleared · CC0
live1. Pin the work
Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.
2. Read the arithmetic
Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.
3. Seal and export
Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.