Skip to content
OpenPlate

Rights clearance desk for images

A painting can be out of copyright and thephotograph of it can still be protected.

Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.

Where this page got its records

  • The Metlive

    3388 ms. The Metropolitan Museum of Art, Collection API (Open Access)

  • Clevelandlive

    316 ms. The Cleveland Museum of Art, Open Access API

Your defaults

United States, editorial use, 10,000 reach.

Change on the terms page

2 of 2 providers answered live. 2,512 matching records exist across the two collections.

Results for "The Companions of Ulysses, from Jean de"12 records

Institutions answered newest-first by record, interleaved

Angel of the Annunciation by Jean de Liège, The Metropolitan Museum of Art

Angel of the Annunciation

Jean de Liège (d. 1381)

ca. 1370–90 · Marble

Cleared · Public Domain

live
The MetSimilar
Pastiche of Self Portrait [with Saskia] and the Artist's Mother with Her Hand on Her Chest: Small Bust by Jean de Bary, The Metropolitan Museum of Art

Pastiche of Self Portrait [with Saskia] and the Artist's Mother with Her Hand on Her Chest: Small Bust

Jean de Bary (d. 1759)

18th century (pastiche printed from two of Rembrandt's original plates) · Etching

Cleared · Public Domain

live
The MetSimilar
Oeuvres de Jean Racine by Jean Racine, The Metropolitan Museum of Art

Oeuvres de Jean Racine

Jean Racine (d. 1699)

1801 · Printed book with engraved illustrations

Cleared · Public Domain

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Arc de Triomph dressé dans le marché neuf, from Jean Tronçon, L'Entrée triomphante de leurs Majestez Louis XIV...et Marie Therese d'Austriche...dans la ville de Paris..., plate 4

Jean Marot (d. 1679)

1662 · Etching and engraving

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Copy of The Companions of Ulysses arriving at Circe's dwelling, from a series of twenty-two plates depicting mythological subjects, plate 21

Jean Le Pautre (d. 1682)

17th century · Etching

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Obélisque de la place Dauphine ornamented with a tapestry depicting the King and Queen on the Chariot of Hymen, from Jean Tronçon, L'Entrée triomphante de leurs Majestez Louis XIV...et Marie Therese d'Austriche...dans la ville de Paris..., plate 6

Jean Le Pautre (d. 1682)

17th century · Etching;; second state of four (Préaud)

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

The Companions of Ulysses arrive at Circe's dwelling, from a series of twenty-two plates depicting mythological subjects, plate 21

Jean Le Pautre (d. 1682)

17th century · Etching; first state of three (Préaud)

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

The Companions of Ulysses arrive at Circe's dwelling, from a series of twenty-two plates depicting mythological subjects, plate 21, bound in Oeuvres. Vol. IV

Jean Le Pautre (d. 1682)

17th century · Etching; second state of three (Préaud)

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Gedenkwarrdige Reysen..door de staaten en landen Staande onder t'Gebied van den Grooten Heer

Jean De Thevenot (d. 1667)

1724 · Etching and engraving

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Vignette page 232 depicting Venus rushing from her Chariot, hands raised towards the heaven in despair, as Adonis dies in the arms of his hunting companions, from Les Amours de Psyché et de Cupidon Avec la Poème d'Adonis

Jean Dambrun (d. 1808)

published in 1795 · Etching; first state of five (Bocher)

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Vignette page 232 depicting Venus rushing from her Chariot, hands raised towards the heaven in despair, as Adonis dies in the arms of his hunting companions, from Les Amours de Psyché et de Cupidon Avec la Poème d'Adonis

Jean Dambrun (d. 1808)

published in 1795 · Etching and engraving; fourth state of five (Bocher)

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

The Companions of Ulysses, from Jean de La Fontaine's "Fables"

Jean Delduc (d. 1885)

1868 · Wood engraving; proof

In copyright

live
The MetSimilar

1. Pin the work

Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.

2. Read the arithmetic

Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.

3. Seal and export

Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.