Circe drinking from a cup with the companions of Ulysses in a boat at left, a circular composition
Giulio Bonasone (d. 1576)
1531–76 · Engraving; second state
Cleared · Public Domain
liveThe MetSimilar
Rights clearance desk for images
A painting can be out of copyright and thephotograph of it can still be protected.
Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.
Where this page got its records
- The Metlive
298 ms. The Metropolitan Museum of Art, Collection API (Open Access)
- Clevelandlive
274 ms. The Cleveland Museum of Art, Open Access API
2 of 2 providers answered live. 15 matching records exist across the two collections.
Results for "The Companions of Ulysses arrive at Circ"12 records
Institutions answered newest-first by record, interleaved
The Parable of the Wise and Foolish Virgins
William Blake (d. 1827)
ca. 1799–1800 · Watercolor, pen and black ink, brush and wash, over graphite
Cleared · Public Domain
liveThe MetSimilar
Ulysses at the Table of Circe (The Odyssey of Homer)
John Flaxman (d. 1826)
1805 · Line engraving
Cleared · Public Domain
liveThe MetSimilar
Panoramic View of New York Taken from the North River
Robert Havell Jr. (d. 1878)
1844 · Hand-colored etching and aquatint
Cleared · Public Domain
liveThe MetSimilar
Parure: tiara, necklace, and brooch
Luigi Saulini (d. 1883)
mid-19th century · Onyx and gold,
Cleared · Public Domain
liveThe MetSimilar
No open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Circe drinking from a cup and the companions of Ulysses in a boat at right, an oval composition
Antonio da Trento (d. 1550)
ca. 1520–50 · Chiaroscuro woodcut from two blocks in blue
In copyright
liveThe MetSimilar
No open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Copy of The Companions of Ulysses arriving at Circe's dwelling, from a series of twenty-two plates depicting mythological subjects, plate 21
Jean Le Pautre (d. 1682)
17th century · Etching
In copyright
liveThe MetSimilar
No open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Reverse copy of The Companions of Ulysses arriving at Circe's dwelling, from a series of twenty-two plates depicting mythological subjects, plate 21
Melchior Küsel (d. 1683)
17th century · Etching
In copyright
liveThe MetSimilar
No open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
The Companions of Ulysses arrive at Circe's dwelling, from a series of twenty-two plates depicting mythological subjects, plate 21
Jean Le Pautre (d. 1682)
17th century · Etching; first state of three (Préaud)
In copyright
liveThe MetSimilar
No open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
The Companions of Ulysses arrive at Circe's dwelling, from a series of twenty-two plates depicting mythological subjects, plate 21, bound in Oeuvres. Vol. IV
Jean Le Pautre (d. 1682)
17th century · Etching; second state of three (Préaud)
In copyright
liveThe MetSimilar
No open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Mixed at the Finish
Thomas B. Worth (d. 1917)
1880 · Hand-colored lithograph with gum arabic
In copyright
liveThe MetSimilar
No open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
A Sorry Dog: "I shoots dot tog Bismark, he makes me much troubles."
Currier & Ives (d. 1907)
1888 · Lithograph, printed in color
In copyright
liveThe MetSimilar
1. Pin the work
Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.
2. Read the arithmetic
Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.
3. Seal and export
Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.