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OpenPlate

Rights clearance desk for images

A painting can be out of copyright and thephotograph of it can still be protected.

Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.

Where this page got its records

  • The Metlive

    473 ms. The Metropolitan Museum of Art, Collection API (Open Access)

  • Clevelandlive

    275 ms. The Cleveland Museum of Art, Open Access API

Your defaults

United States, editorial use, 10,000 reach.

Change on the terms page

2 of 2 providers answered live. 105 matching records exist across the two collections.

Results for "The Cornfield, from "L'Art""12 records

Institutions answered newest-first by record, interleaved

Country Houses, couple and cornfield in the foreground, from the series The Small Landscapes (Praediorum Villarum) by The Master of the Small Landscapes, The Metropolitan Museum of Art

Country Houses, couple and cornfield in the foreground, from the series The Small Landscapes (Praediorum Villarum)

The Master of the Small Landscapes (d. 1600)

1559–61 · Etching; first state of three

Cleared · Public Domain

live
The MetSimilar
The Storm, after Greuze, from "L'Art" by Jules-Ferdinand Jacquemart, The Metropolitan Museum of Art

The Storm, after Greuze, from "L'Art"

Jules-Ferdinand Jacquemart (d. 1880)

1873 · Etching

Cleared · Public Domain

live
The MetSimilar
La Terrasse de la Villa Brancas, from "L'Art" by Félix Bracquemond, The Metropolitan Museum of Art

La Terrasse de la Villa Brancas, from "L'Art"

Félix Bracquemond (d. 1914)

1876 · Etching, drypoint; eighth state of eight

Cleared · Public Domain

live
The MetSimilar
Vue du Pont des Saints-Pères, from "L'Art" by Félix Bracquemond, The Metropolitan Museum of Art

Vue du Pont des Saints-Pères, from "L'Art"

Félix Bracquemond (d. 1914)

1877 · Etching; fourth state of four

Cleared · Public Domain

live
The MetSimilar
Portrait of Félix Bracquemond, from "L'Art" by Félix Bracquemond, The Metropolitan Museum of Art

Portrait of Félix Bracquemond, from "L'Art"

Félix Bracquemond (d. 1914)

1878 · Etching

Cleared · Public Domain

live
The MetSimilar
L'art japonais by Louis Gonse, The Metropolitan Museum of Art

L'art japonais

Louis Gonse (d. 1921)

1883

Cleared · Public Domain

live
The MetSimilar
Egyptien à l'entrée de sa demeure (Egyptian at the entrance to his dwelling), from "L'Art" by Edmond Ramus, The Metropolitan Museum of Art

Egyptien à l'entrée de sa demeure (Egyptian at the entrance to his dwelling), from "L'Art"

Edmond Ramus (d. 1890)

1884 · Etching

Cleared · Public Domain

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

L'Art de Ecrire...(plate from the Encyclopédie, vol. II)

Aubin (d. 1800)

1760

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

The Cornfield, from "L'Art"

John Park (d. 1919)

1878 · Etching

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Shields Harbour, Evening, from "L'Art"

John Park (d. 1919)

1879 · Etching

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

L'Art Impressioniste d'après la collection privée de M. Durand-Ruel

Georges Lecomte

1892 · 36 etched illustrations on laid Arches paper

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Sunset over the Plateaux of Southern Shaanxi

Shi Lu (d. 1982)

dated 1972 · Hanging scroll; ink and color on paper

In copyright

live
The MetSimilar

1. Pin the work

Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.

2. Read the arithmetic

Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.

3. Seal and export

Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.