
Country Houses, couple and cornfield in the foreground, from the series The Small Landscapes (Praediorum Villarum)
The Master of the Small Landscapes (d. 1600)
1559–61 · Etching; first state of three
Cleared · Public Domain
liveRights clearance desk for images
Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.
Where this page got its records
473 ms. The Metropolitan Museum of Art, Collection API (Open Access)
275 ms. The Cleveland Museum of Art, Open Access API
2 of 2 providers answered live. 105 matching records exist across the two collections.
Institutions answered newest-first by record, interleaved

Country Houses, couple and cornfield in the foreground, from the series The Small Landscapes (Praediorum Villarum)
The Master of the Small Landscapes (d. 1600)
1559–61 · Etching; first state of three
Cleared · Public Domain
live
The Storm, after Greuze, from "L'Art"
Jules-Ferdinand Jacquemart (d. 1880)
1873 · Etching
Cleared · Public Domain
live
La Terrasse de la Villa Brancas, from "L'Art"
Félix Bracquemond (d. 1914)
1876 · Etching, drypoint; eighth state of eight
Cleared · Public Domain
live
Vue du Pont des Saints-Pères, from "L'Art"
Félix Bracquemond (d. 1914)
1877 · Etching; fourth state of four
Cleared · Public Domain
live
Portrait of Félix Bracquemond, from "L'Art"
Félix Bracquemond (d. 1914)
1878 · Etching
Cleared · Public Domain
live
L'art japonais
Louis Gonse (d. 1921)
1883
Cleared · Public Domain
live
Egyptien à l'entrée de sa demeure (Egyptian at the entrance to his dwelling), from "L'Art"
Edmond Ramus (d. 1890)
1884 · Etching
Cleared · Public Domain
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
L'Art de Ecrire...(plate from the Encyclopédie, vol. II)
Aubin (d. 1800)
1760
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
The Cornfield, from "L'Art"
John Park (d. 1919)
1878 · Etching
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Shields Harbour, Evening, from "L'Art"
John Park (d. 1919)
1879 · Etching
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
L'Art Impressioniste d'après la collection privée de M. Durand-Ruel
Georges Lecomte
1892 · 36 etched illustrations on laid Arches paper
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Sunset over the Plateaux of Southern Shaanxi
Shi Lu (d. 1982)
dated 1972 · Hanging scroll; ink and color on paper
In copyright
live1. Pin the work
Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.
2. Read the arithmetic
Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.
3. Seal and export
Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.