
Royal American Magazine, or Universal Repository of Instruction and Amusement, Vol. I
Isaiah Thomas (d. 1850)
January–December 1774 · Illustrations: engraving
Cleared · Public Domain
liveRights clearance desk for images
Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.
Where this page got its records
173 ms. The Metropolitan Museum of Art, Collection API (Open Access)
285 ms. The Cleveland Museum of Art, Open Access API
2 of 2 providers answered live. 27 matching records exist across the two collections.
Institutions answered newest-first by record, interleaved

Royal American Magazine, or Universal Repository of Instruction and Amusement, Vol. I
Isaiah Thomas (d. 1850)
January–December 1774 · Illustrations: engraving
Cleared · Public Domain
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
The New-York Magazine; or, Literary Repository, Vol. I
Thomas and James Swords (d. 1800)
1790 · Illustrations: engraving
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
The Polyanthos. A Monthly Magazine Vol. I, New Series
J. T. Buckingham (d. 1900)
1812 · Illustrations: engraving
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Bedford to the Rescue (illustration to "Lovel the Widower," the Cornhill Magazine, vol. I, January–June, 1860, opp. p. 583)
Joseph Swain (d. 1909)
1860 · Wood engraving
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Bessy's Reflections (illustration to "Lovel the Widower," the Cornhill Magazine, vol. I, January–June, 1860, opp. p. 385)
Joseph Swain (d. 1909)
1860 · Wood engraving
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Bessy's Spectacles (illustration to "Lovel the Widower," the Cornhill Magazine, vol. I, January–June, 1860, opp. p. 233)
Joseph Swain (d. 1909)
1860 · Wood engraving
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Departure of Exploring Parties from Port Kennedy (The Cornhill Magazine, vol. I, January–June, 1860,opp. p. 96)
Dalziel Brothers (d. 1893)
1860 · Wood engraving
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
I am Referred to Cecilia (illustration to "Lovel the Widower," the Cornhill Magazine, vol. I, January–June, 1860, opp. p. 44)
Joseph Swain (d. 1909)
1860 · Wood engraving
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Lovel's Mother (illustration to "Lovel the Widower," the Cornhill Magazine, vol. I, January–June, 1860, opp. p. 652)
Joseph Swain (d. 1909)
1860 · Wood engraving
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Mr. Gamble's Apprentice (illustration to "William Hogarth: Painter, Engraver, and Philosopher," the Cornhill Magazine, vol. I, January–June, 1860, opp. p. 264)
George Augustus Sala (d. 1895)
1860 · Wood engraving
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
The Cornhill Magazine (Vol. I, January–June, 1860)
Sir John Everett Millais (d. 1896)
1860 · Illustrations: wood engraving
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Where the Sugar Goes (illustration to "Lovel the Widower," the Cornhill Magazine, vol. I, January–June, 1860, opp. p. 330)
Joseph Swain (d. 1909)
1860 · Wood engraving
In copyright
live1. Pin the work
Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.
2. Read the arithmetic
Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.
3. Seal and export
Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.