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OpenPlate

Rights clearance desk for images

A painting can be out of copyright and thephotograph of it can still be protected.

Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.

Where this page got its records

  • The Metlive

    173 ms. The Metropolitan Museum of Art, Collection API (Open Access)

  • Clevelandlive

    285 ms. The Cleveland Museum of Art, Open Access API

Your defaults

United States, editorial use, 10,000 reach.

Change on the terms page

2 of 2 providers answered live. 27 matching records exist across the two collections.

Results for "The Cornhill Magazine (Vol. I, January–J"12 records

Institutions answered newest-first by record, interleaved

Royal American Magazine, or Universal Repository of Instruction and Amusement, Vol. I by Isaiah Thomas, The Metropolitan Museum of Art

Royal American Magazine, or Universal Repository of Instruction and Amusement, Vol. I

Isaiah Thomas (d. 1850)

January–December 1774 · Illustrations: engraving

Cleared · Public Domain

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

The New-York Magazine; or, Literary Repository, Vol. I

Thomas and James Swords (d. 1800)

1790 · Illustrations: engraving

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

The Polyanthos. A Monthly Magazine Vol. I, New Series

J. T. Buckingham (d. 1900)

1812 · Illustrations: engraving

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Bedford to the Rescue (illustration to "Lovel the Widower," the Cornhill Magazine, vol. I, January–June, 1860, opp. p. 583)

Joseph Swain (d. 1909)

1860 · Wood engraving

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Bessy's Reflections (illustration to "Lovel the Widower," the Cornhill Magazine, vol. I, January–June, 1860, opp. p. 385)

Joseph Swain (d. 1909)

1860 · Wood engraving

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Bessy's Spectacles (illustration to "Lovel the Widower," the Cornhill Magazine, vol. I, January–June, 1860, opp. p. 233)

Joseph Swain (d. 1909)

1860 · Wood engraving

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Departure of Exploring Parties from Port Kennedy (The Cornhill Magazine, vol. I, January–June, 1860,opp. p. 96)

Dalziel Brothers (d. 1893)

1860 · Wood engraving

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

I am Referred to Cecilia (illustration to "Lovel the Widower," the Cornhill Magazine, vol. I, January–June, 1860, opp. p. 44)

Joseph Swain (d. 1909)

1860 · Wood engraving

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Lovel's Mother (illustration to "Lovel the Widower," the Cornhill Magazine, vol. I, January–June, 1860, opp. p. 652)

Joseph Swain (d. 1909)

1860 · Wood engraving

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Mr. Gamble's Apprentice (illustration to "William Hogarth: Painter, Engraver, and Philosopher," the Cornhill Magazine, vol. I, January–June, 1860, opp. p. 264)

George Augustus Sala (d. 1895)

1860 · Wood engraving

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

The Cornhill Magazine (Vol. I, January–June, 1860)

Sir John Everett Millais (d. 1896)

1860 · Illustrations: wood engraving

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Where the Sugar Goes (illustration to "Lovel the Widower," the Cornhill Magazine, vol. I, January–June, 1860, opp. p. 330)

Joseph Swain (d. 1909)

1860 · Wood engraving

In copyright

live
The MetSimilar

1. Pin the work

Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.

2. Read the arithmetic

Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.

3. Seal and export

Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.