Skip to content
OpenPlate

Rights clearance desk for images

A painting can be out of copyright and thephotograph of it can still be protected.

Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.

Where this page got its records

  • The Metlive

    471 ms. The Metropolitan Museum of Art, Collection API (Open Access)

  • Clevelandlive

    397 ms. The Cleveland Museum of Art, Open Access API

Your defaults

United States, editorial use, 10,000 reach.

Change on the terms page

2 of 2 providers answered live. 232 matching records exist across the two collections.

Results for "The Country Dance (Large Plate)"12 records

Institutions answered newest-first by record, interleaved

The Country Dance (Large Plate) by Claude Lorrain (Claude Gellée), The Metropolitan Museum of Art

The Country Dance (Large Plate)

Claude Lorrain (Claude Gellée) (d. 1682)

ca. 1637 · Etching; third state of four (Mannocci)

Cleared · Public Domain

live
The MetSimilar
The Country Dance (Small Plate) by Claude Lorrain (Claude Gellée), The Metropolitan Museum of Art

The Country Dance (Small Plate)

Claude Lorrain (Claude Gellée) (d. 1682)

ca. 1637 · Etching; third state of seven (Mannocci)

Cleared · Public Domain

live
The MetSimilar
The Country Dance (Small Plate) by Claude Lorrain (Claude Gellée), The Metropolitan Museum of Art

The Country Dance (Small Plate)

Claude Lorrain (Claude Gellée) (d. 1682)

ca. 1637 · Etching; fourth state of seven (Mannocci)

Cleared · Public Domain

live
The MetSimilar
Copy of Franca Trippa and Fritellino, from "Balli di Sfessania" (Dance of Sfessania) by Jacques Callot, The Metropolitan Museum of Art

Copy of Franca Trippa and Fritellino, from "Balli di Sfessania" (Dance of Sfessania)

Jacques Callot (d. 1635)

after 1622 · Etching

Cleared · Public Domain

live
The MetSimilar
Recruits Going to Join the Regiment by Antoine Watteau, The Metropolitan Museum of Art

Recruits Going to Join the Regiment

Antoine Watteau (d. 1721)

ca. 1715–16 · Etching with drypoint

Cleared · Public Domain

live
The MetSimilar
Country Ballet (Ballet Champêtre), from Essai de Papilloneries Humaines par Saint Aubin by Charles Germain de Saint-Aubin, The Metropolitan Museum of Art

Country Ballet (Ballet Champêtre), from Essai de Papilloneries Humaines par Saint Aubin

Charles Germain de Saint-Aubin (d. 1786)

ca. 1756–60 · Etching; first state of two

Cleared · Public Domain

live
The MetSimilar
Snuffbox with six scenes of country pastimes by Pierre François Drais, The Metropolitan Museum of Art

Snuffbox with six scenes of country pastimes

Pierre François Drais (d. 1793)

1774–75 · Gold, glass; miniatures: gouache on vellum

Cleared · Public Domain

live
The MetSimilar
Plate 21, from "World in Miniature" by Thomas Rowlandson, The Metropolitan Museum of Art

Plate 21, from "World in Miniature"

Thomas Rowlandson (d. 1827)

1816 · Hand-colored etching

Cleared · Public Domain

live
The MetSimilar
Title Page, The Caricature Magazine by G. M. Woodward, vol. 4 by Thomas Rowlandson, The Metropolitan Museum of Art

Title Page, The Caricature Magazine by G. M. Woodward, vol. 4

Thomas Rowlandson (d. 1827)

[1809] 1821 · Hand-colored etching

Cleared · Public Domain

live
The MetSimilar
Washington Irving's Illustrations of the Legend of Sleepy Hollow, Designed and Etched by F.O.C. Darley for the Members of the American Art Union, 1850 by Felix Octavius Carr Darley, The Metropolitan Museum of Art

Washington Irving's Illustrations of the Legend of Sleepy Hollow, Designed and Etched by F.O.C. Darley for the Members of the American Art Union, 1850

Felix Octavius Carr Darley (d. 1888)

1849–50 · Lithographs (called etching on stone)

Cleared · Public Domain

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Dinner plate ("The Cranes Walk Round")

Theodore Russell Davis (d. 1894)

ca. 1879–80 · Porcelain, overglaze enamels and gilding

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Charger

Lucien Lévy-Dhurmer (d. 1953)

1901 · Stoneware

In copyright

live
The MetSimilar

1. Pin the work

Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.

2. Read the arithmetic

Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.

3. Seal and export

Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.