Skip to content
OpenPlate

Rights clearance desk for images

A painting can be out of copyright and thephotograph of it can still be protected.

Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.

Where this page got its records

  • The Metlive

    416 ms. The Metropolitan Museum of Art, Collection API (Open Access)

  • Clevelandlive

    391 ms. The Cleveland Museum of Art, Open Access API

Your defaults

United States, editorial use, 10,000 reach.

Change on the terms page

2 of 2 providers answered live. 358 matching records exist across the two collections.

Results for "The Country Dance (Small Plate)"12 records

Institutions answered newest-first by record, interleaved

The Country Dance (Large Plate) by Claude Lorrain (Claude Gellée), The Metropolitan Museum of Art

The Country Dance (Large Plate)

Claude Lorrain (Claude Gellée) (d. 1682)

ca. 1637 · Etching; third state of four (Mannocci)

Cleared · Public Domain

live
The MetSimilar
The Country Dance (Small Plate) by Claude Lorrain (Claude Gellée), The Metropolitan Museum of Art

The Country Dance (Small Plate)

Claude Lorrain (Claude Gellée) (d. 1682)

ca. 1637 · Etching; third state of seven (Mannocci)

Cleared · Public Domain

live
The MetSimilar
The Country Dance (Small Plate) by Claude Lorrain (Claude Gellée), The Metropolitan Museum of Art

The Country Dance (Small Plate)

Claude Lorrain (Claude Gellée) (d. 1682)

ca. 1637 · Etching; fourth state of seven (Mannocci)

Cleared · Public Domain

live
The MetSimilar
Snuffbox with six scenes of country pastimes by Pierre François Drais, The Metropolitan Museum of Art

Snuffbox with six scenes of country pastimes

Pierre François Drais (d. 1793)

1774–75 · Gold, glass; miniatures: gouache on vellum

Cleared · Public Domain

live
The MetSimilar
Inkstand (Écritoire) by an unrecorded maker, The Metropolitan Museum of Art

Inkstand (Écritoire)

Unrecorded maker

18th century · Faience (tin-glazed earthenware)

Cleared · Public Domain

live
The MetSimilar
Title Page, The Caricature Magazine by G. M. Woodward, vol. 4 by Thomas Rowlandson, The Metropolitan Museum of Art

Title Page, The Caricature Magazine by G. M. Woodward, vol. 4

Thomas Rowlandson (d. 1827)

[1809] 1821 · Hand-colored etching

Cleared · Public Domain

live
The MetSimilar
Washington Irving's Illustrations of the Legend of Sleepy Hollow, Designed and Etched by F.O.C. Darley for the Members of the American Art Union, 1850 by Felix Octavius Carr Darley, The Metropolitan Museum of Art

Washington Irving's Illustrations of the Legend of Sleepy Hollow, Designed and Etched by F.O.C. Darley for the Members of the American Art Union, 1850

Felix Octavius Carr Darley (d. 1888)

1849–50 · Lithographs (called etching on stone)

Cleared · Public Domain

live
The MetSimilar
[Album page with ten photographs of La Comtesse mounted recto and verso] by Pierre-Louis Pierson, The Metropolitan Museum of Art

[Album page with ten photographs of La Comtesse mounted recto and verso]

Pierre-Louis Pierson (d. 1913)

1861–67 · Albumen silver prints from glass negative

Cleared · Public Domain

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

The Hague, Estate Honselaarsdijk

Jan van Call (d. 1706)

1666–1706 · Etching, inked à la poupée in blue, brown, and red ink

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Washington Irving's Illustrations of the Legend of Sleepy Hollow, Designed and Etched by F.O.C. Darley for the Members of the American Art Union, MDCCCXLIX

Felix Octavius Carr Darley (d. 1888)

1849–50 · Lithographs (called etching on stone)

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Dinner plate ("The Cranes Walk Round")

Theodore Russell Davis (d. 1894)

ca. 1879–80 · Porcelain, overglaze enamels and gilding

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Pochette

Unrecorded maker

19th century · Wood

In copyright

live
The MetSimilar

1. Pin the work

Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.

2. Read the arithmetic

Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.

3. Seal and export

Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.