
The lion returns to his territory and sees the monkey conversing with the lynx, from a Tuti-nama (Tales of a Parrot): Twenty-ninth Night
Unrecorded maker
c. 1560 · Painting, gum tempera, ink, and gold on paper
Cleared · CC0
liveRights clearance desk for images
Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.
Where this page got its records
The Metropolitan Museum of Art did not answer: met answered HTTP 403
373 ms. The Cleveland Museum of Art, Open Access API
1 of 2 providers answered live. 37 matching records exist across the two collections.
Institutions answered newest-first by record, interleaved

The lion returns to his territory and sees the monkey conversing with the lynx, from a Tuti-nama (Tales of a Parrot): Twenty-ninth Night
Unrecorded maker
c. 1560 · Painting, gum tempera, ink, and gold on paper
Cleared · CC0
live
Shamsa (sunburst) with portrait of Aurangzeb (1618–1707), from the Emperor's Album (the Kevorkian Album)
Bichitr
illumination 1640–55; original portrait c. 1640–50; altered after 1658 · Painting, Gum tempera and gold on paper
Cleared · CC0
live
Rapier
Unrecorded maker
c. 1580–1610 · Arms and Armor, steel, ribbed guard and pommel; wood and wire
Cleared · CC0
live
The hunter offers the mother parrot to the king of Kamarupa, from a Tuti-nama (Tales of a Parrot): Fifth Night
Basavana (d. 1600)
c. 1560 · Painting, gum tempera, ink, and gold on paper
Cleared · CC0
live
Hunting Scene
Unrecorded maker
1800s · Painting, eight-panel folding screen; ink and color on silk
Cleared · CC0
live
Portrait of Murad Bakhsh (1624–61)
Balchand (d. 1650)
c. 1635; borders c. 1700s · Painting, gum tempera and gold on paper
Cleared · CC0
live
Portrait of the Aged Akbar
Govardhan (d. 1645)
c. 1640–50 · Painting, Gum tempera and gold on paper
Cleared · CC0
live
Helmet
Unrecorded maker
c. 1560–80 · Arms and Armor, steel
Cleared · CC0
live
Front Face of a Stela (Free-standing Stone with Relief)
Unrecorded maker
692 · Sculpture, limestone
Cleared · CC0
live
The snake enters into an argument with the frog, from a Tuti-nama (Tales of a Parrot): Twenty-sixth Night
Unrecorded maker
c. 1560 · Painting, gum tempera, ink, and gold on paper
Cleared · CC0
live
The young prince is presented to the king, his father, by his teacher, but refuses to speak, from a Tuti-nama (Tales of a Parrot): Eighth Night
Unrecorded maker
c. 1560 · Painting, gum tempera, ink, and gold on paper
Cleared · CC0
live
Crossbow of Elector Augustus I of Saxony
Unrecorded maker
c. 1553–73 · Arms and Armor, wood (walnut?), bone veneers, flax cord, steel (etched, traces of gilding). woolen pompoms, stock decorated wih inlaid trophies of arms
Cleared · CC0
live1. Pin the work
Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.
2. Read the arithmetic
Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.
3. Seal and export
Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.