Skip to content
OpenPlate

Rights clearance desk for images

A painting can be out of copyright and thephotograph of it can still be protected.

Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.

Tryjaguarstill lifeharbourportraitjade
Open the docketStar on GitHub

Where this page got its records

  • The Metlive

    273 ms. The Metropolitan Museum of Art, Collection API (Open Access)

  • Clevelandlive

    327 ms. The Cleveland Museum of Art, Open Access API

Your defaults

United States, editorial use, 10,000 reach.

Change on the terms page

2 of 2 providers answered live. 15 matching records exist across the two collections.

Results for "The Courtesan Hinazuru of Chojiya with h"12 records

Institutions answered newest-first by record, interleaved

Parody of the Tale of Young Man Lu: Courtesan Dreaming by Suzuki Harunobu, The Metropolitan Museum of Art

Parody of the Tale of Young Man Lu: Courtesan Dreaming

Suzuki Harunobu (d. 1770)

18th century · Woodblock print; ink and color on paper

Cleared · Public Domain

live
The MetSimilar
The Courtesan Hanaōgi of the Ōgiya Brothel (Ōgiya no uchi Hanaōgi) by Ichirakutei Eisui, The Metropolitan Museum of Art

The Courtesan Hanaōgi of the Ōgiya Brothel (Ōgiya no uchi Hanaōgi)

Ichirakutei Eisui (d. 1801)

1790s · Woodblock print; ink and color on paper

Cleared · Public Domain

live
The MetSimilar
“Hanaōgi of the Gomeirō,” from the series Comparing the Charms of Beauties (Bijin kiryō kurabe: Gomeirō Hanaōgi) by Kitagawa Utamaro, The Metropolitan Museum of Art

“Hanaōgi of the Gomeirō,” from the series Comparing the Charms of Beauties (Bijin kiryō kurabe: Gomeirō Hanaōgi)

Kitagawa Utamaro (d. 1806)

ca. 1794–95 · Woodblock print; ink and color on paper

Cleared · Public Domain

live
The MetSimilar
In a Pleasure House by Torii Kiyonaga, The Metropolitan Museum of Art

In a Pleasure House

Torii Kiyonaga (d. 1815)

late 18th century · Woodblock print; ink and color on paper

Cleared · Public Domain

live
The MetSimilar
In the Yoshiwara District by Isoda Koryūsai, The Metropolitan Museum of Art

In the Yoshiwara District

Isoda Koryūsai (d. 1790)

late 18th century · Woodblock print; ink and color on paper

Cleared · Public Domain

live
The MetSimilar
Karakoto of Chojiya on Parade by Chōbunsai Eishi, The Metropolitan Museum of Art

Karakoto of Chojiya on Parade

Chōbunsai Eishi (d. 1829)

ca. 1790 · One sheet of a triptych of woodblock prints; ink and color on paper

Cleared · Public Domain

live
The MetSimilar
The Courtesan Hinazuru of the Chōjiya Brothel (Chōjiya Hinazuru), from the series Beauties of the Pleasure Quarters as Six Floral Immortals (Seirō bijin rokkasen) by Chōbunsai Eishi, The Metropolitan Museum of Art

The Courtesan Hinazuru of the Chōjiya Brothel (Chōjiya Hinazuru), from the series Beauties of the Pleasure Quarters as Six Floral Immortals (Seirō bijin rokkasen)

Chōbunsai Eishi (d. 1829)

ca. 1795 · Woodblock print; ink and color on paper

Cleared · Public Domain

live
The MetSimilar
Matching Shells (Kai-awase), “Kisen Hōshi,” from the series Modern Parodies of the Six Poetic Immortals (Yatsushi rokkasen: Kisen Hōshi) by Chōbunsai Eishi, The Metropolitan Museum of Art

Matching Shells (Kai-awase), “Kisen Hōshi,” from the series Modern Parodies of the Six Poetic Immortals (Yatsushi rokkasen: Kisen Hōshi)

Chōbunsai Eishi (d. 1829)

ca. 1796–98 · Polychrome woodblock ōban print; ink and color on paper

Cleared · Public Domain

live
The MetSimilar
Spring Rain Collection (Harusame shū), vol. 1: Genroku-style Courtesan by Utagawa Kuninao, The Metropolitan Museum of Art

Spring Rain Collection (Harusame shū), vol. 1: Genroku-style Courtesan

Utagawa Kuninao (d. 1854)

probably 1810s · Privately published woodblock prints (surimono) mounted in an album; ink and color on paper

Cleared · Public Domain

live
The MetSimilar
Courtesan or Actor as Courtesan Pouring Tea by the Light of a Lantern by Utagawa Toyokuni I, The Metropolitan Museum of Art

Courtesan or Actor as Courtesan Pouring Tea by the Light of a Lantern

Utagawa Toyokuni I (d. 1825)

1825 · Monochrome woodblock print; ink on paper

Cleared · Public Domain

live
The MetSimilar
Okaru and Yuranosuke (Okaru, Yuranosuke) by Eishōsai Chōki, The Metropolitan Museum of Art

Okaru and Yuranosuke (Okaru, Yuranosuke)

Eishōsai Chōki (d. 1900)

1835 · Woodblock print (nishiki-e); ink and color on paper

Cleared · Public Domain

live
The MetSimilar
The Hell Courtesan by Seikei, The Metropolitan Museum of Art

The Hell Courtesan

Seikei (d. 1899)

late 19th century · Hanging scroll; ink and color on silk

Cleared · Public Domain

live
The MetSimilar

1. Pin the work

Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.

2. Read the arithmetic

Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.

3. Seal and export

Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.