Cove
Ercole Procaccini The Younger (d. 1680)
17th century · Pen and brown ink, brush with brown, green and pink wash, over black chalk
Cleared · Public Domain
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Rights clearance desk for images
A painting can be out of copyright and thephotograph of it can still be protected.
Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.
Where this page got its records
- The Metlive
397 ms. The Metropolitan Museum of Art, Collection API (Open Access)
- Clevelandlive
450 ms. The Cleveland Museum of Art, Open Access API
2 of 2 providers answered live. 178 matching records exist across the two collections.
Results for "The Cove"12 records
Institutions answered newest-first by record, interleaved
A Blasted Tree (recto)
Jasper F. Cropsey (d. 1900)
1851 · Drawing, pen and brown ink, brown wash and graphite, heightened with white
Cleared · CC0
liveCleveland Museum of ArtSimilar
Design for the Corner of a Cove
Anonymous, Italian, Piedmontese, 18th century (d. 1800)
1700–1780 · Pen and brown ink, brush and gray wash, over ruled construction in leadpoint or graphite, some dotted framing outlines
Cleared · Public Domain
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Sketchbook, The Dells, N° 127, page 042 & 43: Cove with Boats and Figures
Maurice Prendergast (d. 1924)
c. 1919–1921 · Bound Volume, graphite and watercolor
Cleared · CC0
liveCleveland Museum of ArtSimilar
Design for the Corner of a Cove
Anonymous, Italian, Piedmontese, 18th century (d. 1800)
1700–1780 · Pen and light brown ink, brush and gray, light brown wash and watercolor, over leadpoint, with ruled and compass construction
Cleared · Public Domain
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Sketchbook, The Dells, N° 127, page 036 & 37: View of a Cove from above
Maurice Prendergast (d. 1924)
c. 1919–1921 · Bound Volume, graphite
Cleared · CC0
liveCleveland Museum of ArtSimilar
Design for the Cove of a Ceiling
Anonymous, Italian, Piedmontese, 18th century (d. 1800)
1700–1780 · Pen and gray ink, brush and gray wash, over leadpoint, with ruled and compass construction; framing lines in leadpoint
Cleared · Public Domain
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A Blasted Tree (recto) Floorplan (verso)
Jasper F. Cropsey (d. 1900)
1851 · Drawing, pen and brown ink, brown wash and graphite, heightened with white
Cleared · CC0
liveCleveland Museum of ArtSimilar
The Cove, from the series, Views in Central Park, New York, Part 3
Louis Prang & Co. (d. 1950)
1864 · Color lithograph
Cleared · Public Domain
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Sketchbook, The Dells, N° 127, page 048 & 49: View of a Cove from above
Maurice Prendergast (d. 1924)
c. 1919–1921 · Bound Volume, graphite and watercolor
Cleared · CC0
liveCleveland Museum of ArtSimilar
The Smugglers' Cove
Albert Pinkham Ryder (d. 1917)
ca. 1880 · Oil on gilt leather
Cleared · Public Domain
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No open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
The Landing of Her Majesty at the Cove (now Queenstown), Ireland, 1849 (The Queen Landing in Ireland)
George Baxter (d. 1867)
1850 · Baxter process: aquatint key plate proof
In copyright
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