
Cow's Head from a frontal representation of a cow emerging from a wall
Unrecorded maker
664–610 BCE · Limestone, paint traces
Cleared · Public Domain
liveRights clearance desk for images
Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.
Where this page got its records
205 ms. The Metropolitan Museum of Art, Collection API (Open Access)
324 ms. The Cleveland Museum of Art, Open Access API
2 of 2 providers answered live. 6,162 matching records exist across the two collections.
Institutions answered newest-first by record, interleaved

Cow's Head from a frontal representation of a cow emerging from a wall
Unrecorded maker
664–610 BCE · Limestone, paint traces
Cleared · Public Domain
live
Cover (Rumal)
Unrecorded maker
18th century · Cotton and silk
Cleared · Public Domain
live
Textile Design with Alternating Vertical Garland of Stylized Leaves and Undulating Circles Surrounded by Pearls
Anonymous, Alsatian, 19th century (d. 1900)
1840 · Gouache
Cleared · Public Domain
live
Cow in a Barn
Camille Corot (d. 1875)
1855 · Oil on paper, laid down on canvas
Cleared · Public Domain
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Moresque and geometric interlace frieze
Master F (d. 1540)
1525–40 · Woodcut
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Moresque frieze
Master F (d. 1540)
ca. 1525–40 · Woodcut
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Moresque frieze
Master F (d. 1540)
ca. 1525–40 · Woodcut
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Moresque frieze
Master F (d. 1540)
ca. 1525–40 · Woodcut
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
The Cow Shaded by Leaves
Carl Wilhelm Kolbe (d. 1835)
ca. 1800 · Etching; third state
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
The Three Cows
Sir Francis Seymour Haden (d. 1910)
1877 · Drypoint; second state of two (Harrington); sixth state of seven (Schneiderman)
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
A Lancashire River
Sir Francis Seymour Haden (d. 1910)
1881 · Etching and drypoint; trial proof b (Harrington); fourth state of nine (Schneiderman)
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
A Lancashire River
Sir Francis Seymour Haden (d. 1910)
1881 · Etching and drypoint; second state of two (Harrington); eighth state of nine (Schneiderman)
In copyright
live1. Pin the work
Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.
2. Read the arithmetic
Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.
3. Seal and export
Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.