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OpenPlate

Rights clearance desk for images

A painting can be out of copyright and thephotograph of it can still be protected.

Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.

Where this page got its records

  • The Metlive

    198 ms. The Metropolitan Museum of Art, Collection API (Open Access)

  • Clevelandlive

    565 ms. The Cleveland Museum of Art, Open Access API

Your defaults

United States, editorial use, 10,000 reach.

Change on the terms page

2 of 2 providers answered live. 77 matching records exist across the two collections.

Results for "The Cows' Resting Place (Le Dormoir des"12 records

Institutions answered newest-first by record, interleaved

Les Secondes Oeuvres, et Subtiles Inventions De Lingerie du Seigneur Federic de Vinciolo Venitien, page 9 (recto) by Federico de Vinciolo, The Metropolitan Museum of Art

Les Secondes Oeuvres, et Subtiles Inventions De Lingerie du Seigneur Federic de Vinciolo Venitien, page 9 (recto)

Federico de Vinciolo (d. 1599)

1603 · Woodcut

Cleared · Public Domain

live
The MetSimilar
Saint Francis Kneeling in a Grotto, holding a Book and a Skull by Nicolaas van der Horst, The Metropolitan Museum of Art

Saint Francis Kneeling in a Grotto, holding a Book and a Skull

Nicolaas van der Horst (d. 1646)

1627 or before · Pen and brown ink, brown washes; incised for transfer

Cleared · Public Domain

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The MetSimilar
Design for a frontispiece by Abraham Bloemaert, The Metropolitan Museum of Art

Design for a frontispiece

Abraham Bloemaert (d. 1651)

ca. 1617-25 · Pen and brown ink and gray wash over black chalk on antique laid paper, mounted

Cleared · Public Domain

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The MetSimilar
Two Muses by Charles Le Brun, The Metropolitan Museum of Art

Two Muses

Charles Le Brun (d. 1690)

17th century · Red chalk, heightened with white, on beige paper

Cleared · Public Domain

live
The MetSimilar
Cupid Seated on a Garland by an unrecorded maker, The Metropolitan Museum of Art

Cupid Seated on a Garland

Unrecorded maker

1770–90 · Oil on canvas

Cleared · Public Domain

live
The MetSimilar
The Cows' Resting Place (Le Dormoir des vâches) by Camille Corot, The Metropolitan Museum of Art

The Cows' Resting Place (Le Dormoir des vâches)

Camille Corot (d. 1875)

1871 · Transfer lithograph printed in brown ink on chine collé; first of two states

Cleared · Public Domain

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The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Documents concerning Parade: ["Etudes pour Parade": Cocteau's handwritten notes]

Jean Cocteau (d. 1963)

1916–17

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Documents concerning Parade: [Cocteau's handwritten draft of libretto for Parade]

Jean Cocteau (d. 1963)

1916–17

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Documents concerning Parade: [Handwritten letter, from Picasso to Cocteau, dated October 6, 1916]

Pablo Picasso (d. 1973)

1916–17

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Documents concerning Parade: [Notes by Cocteau addressed to Satie, "Pour le numéro de l'acrobate"]

Jean Cocteau (d. 1963)

1916–17

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Documents concerning Parade: [Notes by Cocteau addressed to Satie, "Pour le numéro de la petite fille americaine"]

Jean Cocteau (d. 1963)

1916–17

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Documents concerning Parade: [Notes by Cocteau addressed to Satie, "Pour le numéro du Prestidigitateur chinois"]

Jean Cocteau (d. 1963)

1916–17

In copyright

live
The MetSimilar

1. Pin the work

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2. Read the arithmetic

Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.

3. Seal and export

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