
Les Secondes Oeuvres, et Subtiles Inventions De Lingerie du Seigneur Federic de Vinciolo Venitien, page 9 (recto)
Federico de Vinciolo (d. 1599)
1603 · Woodcut
Cleared · Public Domain
liveRights clearance desk for images
Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.
Where this page got its records
198 ms. The Metropolitan Museum of Art, Collection API (Open Access)
565 ms. The Cleveland Museum of Art, Open Access API
2 of 2 providers answered live. 77 matching records exist across the two collections.
Institutions answered newest-first by record, interleaved

Les Secondes Oeuvres, et Subtiles Inventions De Lingerie du Seigneur Federic de Vinciolo Venitien, page 9 (recto)
Federico de Vinciolo (d. 1599)
1603 · Woodcut
Cleared · Public Domain
live
Saint Francis Kneeling in a Grotto, holding a Book and a Skull
Nicolaas van der Horst (d. 1646)
1627 or before · Pen and brown ink, brown washes; incised for transfer
Cleared · Public Domain
live
Design for a frontispiece
Abraham Bloemaert (d. 1651)
ca. 1617-25 · Pen and brown ink and gray wash over black chalk on antique laid paper, mounted
Cleared · Public Domain
live
Two Muses
Charles Le Brun (d. 1690)
17th century · Red chalk, heightened with white, on beige paper
Cleared · Public Domain
live
Cupid Seated on a Garland
Unrecorded maker
1770–90 · Oil on canvas
Cleared · Public Domain
live
The Cows' Resting Place (Le Dormoir des vâches)
Camille Corot (d. 1875)
1871 · Transfer lithograph printed in brown ink on chine collé; first of two states
Cleared · Public Domain
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Documents concerning Parade: ["Etudes pour Parade": Cocteau's handwritten notes]
Jean Cocteau (d. 1963)
1916–17
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Documents concerning Parade: [Cocteau's handwritten draft of libretto for Parade]
Jean Cocteau (d. 1963)
1916–17
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Documents concerning Parade: [Handwritten letter, from Picasso to Cocteau, dated October 6, 1916]
Pablo Picasso (d. 1973)
1916–17
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Documents concerning Parade: [Notes by Cocteau addressed to Satie, "Pour le numéro de l'acrobate"]
Jean Cocteau (d. 1963)
1916–17
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Documents concerning Parade: [Notes by Cocteau addressed to Satie, "Pour le numéro de la petite fille americaine"]
Jean Cocteau (d. 1963)
1916–17
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Documents concerning Parade: [Notes by Cocteau addressed to Satie, "Pour le numéro du Prestidigitateur chinois"]
Jean Cocteau (d. 1963)
1916–17
In copyright
live1. Pin the work
Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.
2. Read the arithmetic
Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.
3. Seal and export
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