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OpenPlate

Rights clearance desk for images

A painting can be out of copyright and thephotograph of it can still be protected.

Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.

Where this page got its records

  • The Metlive

    301 ms. The Metropolitan Museum of Art, Collection API (Open Access)

  • Clevelandlive

    288 ms. The Cleveland Museum of Art, Open Access API

Your defaults

United States, editorial use, 10,000 reach.

Change on the terms page

2 of 2 providers answered live. 77 matching records exist across the two collections.

Results for "The Creation of Eve, after the Sistine C"12 records

Institutions answered newest-first by record, interleaved

The Creation of the World and the Expulsion from Paradise by Giovanni di Paolo (Giovanni di Paolo di Grazia), The Metropolitan Museum of Art

The Creation of the World and the Expulsion from Paradise

Giovanni di Paolo (Giovanni di Paolo di Grazia) (d. 1482)

1445 · Tempera and gold on wood

Cleared · Public Domain

live
The MetSimilar
The Creation of Eve, from The Power of Death (Allegory of Original Sin and Death) by Heinrich Aldegrever, The Metropolitan Museum of Art

The Creation of Eve, from The Power of Death (Allegory of Original Sin and Death)

Heinrich Aldegrever (d. 1561)

1541 · Engraving

Cleared · Public Domain

live
The MetSimilar
The Second Day (Dies II): The Division of the Waters, plate 2 from "The Creation of the World" by Jan Muller, The Metropolitan Museum of Art

The Second Day (Dies II): The Division of the Waters, plate 2 from "The Creation of the World"

Jan Muller (d. 1628)

1589 · Engraving; New Holl.'s second state of two; framing lines in pen and dark gray ink at sheet edges

Cleared · Public Domain

live
The MetSimilar
The Sixth Day (Dies VI): The Creation of Adam and Eve, from "The Creation of the World" by Jan Muller, The Metropolitan Museum of Art

The Sixth Day (Dies VI): The Creation of Adam and Eve, from "The Creation of the World"

Jan Muller (d. 1628)

1589 · Engraving; New Holl.'s third state of three

Cleared · Public Domain

live
The MetSimilar
Raising of Lazarus (from Sketchbook) by Thomas Sully, The Metropolitan Museum of Art

Raising of Lazarus (from Sketchbook)

Thomas Sully (d. 1872)

1810–20 · Ink, wash, on paper

Cleared · Public Domain

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

The Sixth Day (Dies VI), from "The Creation of the World"

Jan Muller (d. 1628)

1589 · Engraving; New Holl.'s third state of three; framing lines in pen and brown ink at the sheet edges

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

The Creation of Adam, after Michelangelo's painting in the Sistine Chapel

Girolamo Grandi (d. 1548)

1600–22 · Woodcut

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

The Creation of Eve, Sistine Chapel, plate 4 from "Schola Italica Picturae"

Antonio Capellan (d. 1793)

1772 · Engraving and etching

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

The Creation of Eve, after the Sistine Chapel ceiling by Michelangelo

Joseph Coiny (d. 1829)

1823 · Engraving

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Rodin - The Eve

Edward J. Steichen (d. 1973)

1907 · Autochrome

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Adam and Little Eve

Paul Klee (d. 1940)

1921 · Watercolor and transferred printing ink on paper mounted on cardboard

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Creation

House of Dior (d. 9999)

fall/winter 2005–6 · (a) silk, synthetic, cotton, wool, plastic, metal; (b, c) leather; (d) metal, synthetic, pearl, silk

In copyright

live
The MetSimilar

1. Pin the work

Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.

2. Read the arithmetic

Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.

3. Seal and export

Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.