
The Creation of the World and the Expulsion from Paradise
Giovanni di Paolo (Giovanni di Paolo di Grazia) (d. 1482)
1445 · Tempera and gold on wood
Cleared · Public Domain
liveRights clearance desk for images
Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.
Where this page got its records
301 ms. The Metropolitan Museum of Art, Collection API (Open Access)
288 ms. The Cleveland Museum of Art, Open Access API
2 of 2 providers answered live. 77 matching records exist across the two collections.
Institutions answered newest-first by record, interleaved

The Creation of the World and the Expulsion from Paradise
Giovanni di Paolo (Giovanni di Paolo di Grazia) (d. 1482)
1445 · Tempera and gold on wood
Cleared · Public Domain
live
The Creation of Eve, from The Power of Death (Allegory of Original Sin and Death)
Heinrich Aldegrever (d. 1561)
1541 · Engraving
Cleared · Public Domain
live
The Second Day (Dies II): The Division of the Waters, plate 2 from "The Creation of the World"
Jan Muller (d. 1628)
1589 · Engraving; New Holl.'s second state of two; framing lines in pen and dark gray ink at sheet edges
Cleared · Public Domain
live
The Sixth Day (Dies VI): The Creation of Adam and Eve, from "The Creation of the World"
Jan Muller (d. 1628)
1589 · Engraving; New Holl.'s third state of three
Cleared · Public Domain
live
Raising of Lazarus (from Sketchbook)
Thomas Sully (d. 1872)
1810–20 · Ink, wash, on paper
Cleared · Public Domain
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
The Sixth Day (Dies VI), from "The Creation of the World"
Jan Muller (d. 1628)
1589 · Engraving; New Holl.'s third state of three; framing lines in pen and brown ink at the sheet edges
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
The Creation of Adam, after Michelangelo's painting in the Sistine Chapel
Girolamo Grandi (d. 1548)
1600–22 · Woodcut
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
The Creation of Eve, Sistine Chapel, plate 4 from "Schola Italica Picturae"
Antonio Capellan (d. 1793)
1772 · Engraving and etching
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
The Creation of Eve, after the Sistine Chapel ceiling by Michelangelo
Joseph Coiny (d. 1829)
1823 · Engraving
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Rodin - The Eve
Edward J. Steichen (d. 1973)
1907 · Autochrome
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Adam and Little Eve
Paul Klee (d. 1940)
1921 · Watercolor and transferred printing ink on paper mounted on cardboard
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Creation
House of Dior (d. 9999)
fall/winter 2005–6 · (a) silk, synthetic, cotton, wool, plastic, metal; (b, c) leather; (d) metal, synthetic, pearl, silk
In copyright
live1. Pin the work
Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.
2. Read the arithmetic
Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.
3. Seal and export
Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.