
The Creation of the World and the Expulsion from Paradise
Giovanni di Paolo (Giovanni di Paolo di Grazia) (d. 1482)
1445 · Tempera and gold on wood
Cleared · Public Domain
liveRights clearance desk for images
Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.
Where this page got its records
209 ms. The Metropolitan Museum of Art, Collection API (Open Access)
345 ms. The Cleveland Museum of Art, Open Access API
2 of 2 providers answered live. 7,679 matching records exist across the two collections.
Institutions answered newest-first by record, interleaved

The Creation of the World and the Expulsion from Paradise
Giovanni di Paolo (Giovanni di Paolo di Grazia) (d. 1482)
1445 · Tempera and gold on wood
Cleared · Public Domain
live
Study for "The Romancer" (Le Conteur)
Jean-Antoine Watteau (d. 1721)
c. 1716 · Drawing, red chalk; red and black chalk (upper left figure)
Cleared · CC0
live
The Fourth Day (Dies IV): The Creation of Day and Night, from "The Creation of the World"
Jan Muller (d. 1628)
1589 · Engraving; New Holl.'s second state of two
Cleared · Public Domain
live
Air, from "The Four Elements" (Les Quatre Eléments)
Abraham Bosse (d. 1676)
1630 · Etching
Cleared · Public Domain
live
Earth, from "The Four Elements" (Les Quatre Eléments)
Abraham Bosse (d. 1676)
1630 · Etching
Cleared · Public Domain
live
Fire, from "The Four Elements" (Les Quatre Eléments)
Abraham Bosse (d. 1676)
ca. 1630 · Etching
Cleared · Public Domain
live
Water, from "The Four Elements" (Les Quatre Eléments)
Abraham Bosse (d. 1676)
ca. 1630 · Etching
Cleared · Public Domain
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
The Creation of the Firmament, from "The Creation of the World"
Maerten de Vos (d. 1603)
ca. 1585 · Engraving
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
The First Day: The Creation of Light, from "The Creation of the World"
Maerten de Vos (d. 1603)
ca. 1585 · Engraving
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
The Creation of the Elements, from Les Métamorphoses d'Ovide en Latin et en François de la traduction de M. l'Abbé Banier de l'Académie Royale des Inscriptions et Belles-Lettres. Avec des explications historiques. A Paris Chez Despilly rue saint Jacques à la croix d'or. MDCCLXVII. Avec Approbation et Privilège du Roi
Noël Le Mire (d. 1801)
ca. 1765 · Etching and engraving
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
The Creation of the Elements, from "Les Metamorphoses d'Ovide..."
Louis Michel Halbou (d. 1809)
1804 · Etching and engraving
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
The Creation of the Elements, from Les Metamorphoses d'Ovide, Traduction nouvelle Avec le texte latin, suivie d'une analyse de l'explication des Fables, de notes géographiques, historiques, mythologiques et critiques, Par M.G.T. Villenave; ornée de gravures d'après les dessins de MM. LeBarbier, Monsiau et Moreau. A Paris, Chez les Éditeurs, F. Gay Libraire, rue de la Harpe, Bureau de la Bible; Ch. Guestard, Avocat, rue Saint Germain-l'Auxerrois. De l'Imprimerie de P. Didot l'aîné. MDCCCVI.
Louis Michel Halbou (d. 1809)
1804 · Etching and engraving
In copyright
live1. Pin the work
Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.
2. Read the arithmetic
Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.
3. Seal and export
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