
The Creation of the World and the Expulsion from Paradise
Giovanni di Paolo (Giovanni di Paolo di Grazia) (d. 1482)
1445 · Tempera and gold on wood
Cleared · Public Domain
liveRights clearance desk for images
Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.
Where this page got its records
523 ms. The Metropolitan Museum of Art, Collection API (Open Access)
344 ms. The Cleveland Museum of Art, Open Access API
2 of 2 providers answered live. 475 matching records exist across the two collections.
Institutions answered newest-first by record, interleaved

The Creation of the World and the Expulsion from Paradise
Giovanni di Paolo (Giovanni di Paolo di Grazia) (d. 1482)
1445 · Tempera and gold on wood
Cleared · Public Domain
live
The Creation of Eve, from The Story of Adam and Eve
Heinrich Aldegrever (d. 1561)
1540 · Engraving
Cleared · Public Domain
live
The Fourth Day (Dies IV): The Creation of Day and Night, from "The Creation of the World"
Jan Muller (d. 1628)
1589 · Engraving; New Holl.'s second state of two
Cleared · Public Domain
live
Air, a landscape during a hurricane, three horsemen battling the wind, a mass of trees to the right, from "The Four Elements" (Les Quatre Eléments)
Stefano della Bella (d. 1664)
ca. 1645–50 · Etching; first state of three
Cleared · Public Domain
live
Fire, a flotilla on fire in center and to the right, two boats full of people to left, from "The Four Elements" (Les Quatre Eléments)
Stefano della Bella (d. 1664)
ca. 1645–50 · Etching; first state of three
Cleared · Public Domain
live
Water, a ship at sea during a storm, from "The Four Elements" (Les Quatre Eléments)
Stefano della Bella (d. 1664)
ca. 1645–50 · Etching; first state of three
Cleared · Public Domain
live
Water, from series The Four Elements
Reinier Nooms, called Zeeman (d. 1664)
17th century · Etching
Cleared · Public Domain
live
Reverse Copy of the Frontispiece, from "Les Gueux suite appelée aussi Les Mendiants, Les Baroni, ou Les Barons" (The Beggars, also called the Barons)
Anonymous
17th century · Etching
Cleared · Public Domain
live
Architectural elements from the La Roque Mansion, Astoria, New York
Unrecorded maker
ca. 1852 · Plaster and wood
Cleared · Public Domain
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
The Creation of the Elements, from "Les Metamorphoses d'Ovide..."
Louis Michel Halbou (d. 1809)
1804 · Etching and engraving
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
"The Monster" Vertical Viola
Carleen M. Hutchins (d. 2007)
1969 · Wood, metal
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Creation
House of Dior (d. 9999)
fall/winter 2005–6 · (a) silk, synthetic, cotton, wool, plastic, metal; (b, c) leather; (d) metal, synthetic, pearl, silk
In copyright
live1. Pin the work
Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.
2. Read the arithmetic
Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.
3. Seal and export
Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.